"'It is remorse,' said Apollonia. 'Their clever men can never forget that unfortunate affair of Galileo, and think they can divert the indignation of the nineteenth century by mock zeal about red sandstone or the origin of species.'
"'And are you afraid of the Gulf Stream?' inquired Lothair of his calmer neighbour.
"'I think we want more evidence of a change. The Vice-Chancellor and I went down to a place we have near town on Saturday, where there is a very nice piece of water; indeed, some people call it a lake; it was quite frozen, and my boys wanted to skate, but that I would not permit.'
"'You believe in the Gulf Stream to that extent,' said Lothair; 'no skating.'
"The Cardinal came early; the ladies had not long left the dining-room. They were agitated when his name was announced; even Apollonia's heart beat; but then that might be accounted for by the inopportune recollection of an occasional correspondence with Caprera.
"Nothing could exceed the simple suavity with which the Cardinal appeared, approached, and greeted them. He thanked Apollonia for her permission to pay his respects to her, which he had long wished to do; and then they were all presented, and he said exactly the right thing to every one."
Disraeli began his career, as I have pointed out in the earlier part of this essay, as a purveyor of entertainment to the public in a popular and not very dignified kind. He contended with the crowd of fashionable novelists whose books consoled the leisure of Mrs. Wititterly as she reclined on the drawing-room sofa. He found rivals in Bulwer and Mrs. Gore, and a master in Plumer Ward. His brilliant stories sold, but at first they won him little advantage. Slowly, by dint of his inherent force of genius, his books have not merely survived their innumerable fellows, but they have come to represent to us the form and character of a whole school; nay, more, they have come to take the place in our memories of a school which, but for them, would have utterly passed away and been forgotten. Disraeli, accordingly, is unique, not merely because his are the only fashionable novels of the pre-Victorian era which any one ever reads nowadays, but because in his person that ineffable manner of the "thirties" reaches an isolated sublimity and finds a permanent place in literature. But if we take a still wider view of the literary career of Disraeli, we are bound to perceive that the real source of the interest which his brilliant books continue to possess is the evidence their pages reveal of the astonishing personal genius of the man. Do what we will, we find ourselves looking beyond Contarini Fleming and Sidonia and Vivian Grey to the adventurous Jew who, by dint of infinite resolution and an energy which never slept, conquered all the prejudices of convention, and trod English society beneath his foot in the triumphant irony of success. It is the living Disraeli who is always more salient than the most fascinating of his printed pages.