"How true that is! When I come down here, I think that with so much time on my hands I shall be able to get through a pile of work. Not a bit of it! I find it difficult even to write a note. To me it is an imperative necessity to have the sympathetic counsel of a friend."
The letter continued with an impassioned appeal to his correspondent to find some definite intellectual work for him to undertake. "You make me dare, and that is much towards winning a game. You must sharpen my wits, which are blunt enough just now." In short, it was a cry from the island of boredom to come over the water and administer first-aid.
Accordingly, I started for Cowes, and was welcomed at the pier with all my host's habitual and vivacious hospitality. Scarcely were we seated in our wicker-chairs in face of the Solent, not twinkling as usual with pleasure-sails, but sinister with strange instruments of warfare, than he began the attack. "What am I to do with myself?" was the instant question; "what means can I find of occupying this dreadful void of leisure?" To which the obvious reply was: "First of all, you must exhibit to me the famous attractions of Cowes!" "There are none," he replied in comic despair, but we presently invented some, and my visit, which extended over several radiant days of a perfect August, was diversified with walks and excursions by land and water, in which my companion was as active and as ardent as though he had been nineteen instead of seventy-nine. In a suit picturesquely marine, with his beautiful silver hair escaping from a jaunty yachting cap, he was the last expression of vivacity and gaiety.
The question of his intellectual occupation in the future came, however, incessantly to the front; and our long talks in the strange and uncanny solitude of the Royal Yacht Squadron Castle always came to this: What task was he to take up next? His large autobiography was now coming back to him from the printers in packets of proof, with which he was closeted night and morning; and I suggested that while this was going on there was no need for him to think about future enterprises. To tell the truth, I had regarded the Memories as likely to be the final labour of Lord Redesdale's busy life. It seemed to me that at his advanced age he might now well withdraw into dignified repose. I even hinted so much in terms as delicate as I could make them, but the suggestion was not well received. I became conscious that there was nothing he was so little prepared to welcome as "repose"; that, in fact, the terror which possessed him was precisely the dread of having to withdraw from the stage of life. His deafness, which now began to be excessive, closed to his eager spirit so many of the avenues of experience, that he was more than ever anxious to keep clear those that remained to him, and of these, literary expression came to be almost the only one left. In the absence of a definite task his path in this direction led through darkness.
But it was not until after several suggestions and many conversations that light was found. The friend so pressingly appealed to returned to London, where he was stern in rejecting several projects, hotly flung at his head and then coldly abandoned. A study of the Empress Maria Theresa, suggested by a feverish perusal of Pechler, was the latest and least attractive of these. Lord Redesdale then frankly demanded that a subject should be found for him. "You have brought this upon yourself," he said, "by encouraging me to write." What might prove the scheme of a very pleasant book then occurred to me, and I suggested to the fiery and impatient author, who had by this time retired for good to Batsford, that he should compose a volume of essays dealing with things in general, but bound together by a constantly repeated reference to his wild garden of bamboos and the Buddha in his secret grove. The author was to suppose himself seated with a friend on the terrace at the top of the garden, and to let the idea of the bamboo run through the whole tissue of reflections and reminiscences like an emerald thread. Lord Redesdale was enchanted, and the idea took fire at once. He replied:—
"You are Orpheus, with his lute moving the rocks and stones! I shall work all my conceits into your plan, and am now proceeding to my garden shrine to meditate on it. I will try to make a picture of the VELUVANA, the bamboo-garden which was the first Vikara or monastery of Buddha and his disciples. There I will sit, and, looking on the great statue of Buddha in meditation, I shall begin to arrange all sorts of wild imaginings which may come into my crazy brain."
In this way was started the book, of which, alas! only such fragments were composed as form the earlier part of the volume published after his death. It is, however, right to point out that for the too-brief remainder of his life Lord Redesdale was eagerly set on the scheme of which a hint has just been given. The Veluvana was to be the crowning production of his literary life, and it was to sum up the wisdom of the East and the gaiety of the West. He spoke of it incessantly, in letters and conversation. "That will do to go into Veluvana," was his cry when he met with anything rare or strange. For instance, on September 15th, 1915, he wrote to me:—
"To-day, all of a sudden I was struck by the idea that plants, having many human qualities, may also in some degree have human motives—that they are not altogether mere automata—and as I thought, I began to imagine that I could detect something resembling purpose in the movements of certain plants. I have jotted down a few notes, and you will see when I expand them that at any rate the idea calls attention to the movements themselves, some of which seem never to have been noticed at all, or certainly at best very inadequately. You will see that this brings in the bamboo-garden and Buddha, and so keeps to the scheme of Veluvana."
The monasteries of twelfth-century Japanese Buddhism, which he had visited long before in the neighbourhood of Kioto, now recurred to his memory, and he proposed to describe in what a monk of Hiyeisan differed from an Indian Buddhist monk. This was a theme of extraordinary interest, and wholly germane to his purpose. It drove him back to his Japanese books, and to his friend Sir Ernest Satow's famous dictionary. He wrote to me:—
"No praise can be too high for the work which Satow did in the early days of our intercourse with Japan. He was a valuable asset to England, and to Sir Harry Parkes, who, with all his energy and force of character, would never have succeeded as he did without Satow. Aston was another very strong man."