It is more befitting that we should turn away our thoughts from the intervening period of age and decay; and that Dorothy Wordsworth should live in our minds as she was in her eager-spirited and ardent youth, when in company with her beloved companion, she bounded over the familiar hills and roamed by the mountain streams, or by the household fire scanned the classic page—a youth of beauty, and buoyancy, and joy, because so full of love and goodness, of generous sympathy and unselfish devotion—a youth which she has since renewed, unclouded by any shade, in the same old society, and with the familiar love re-linked—in Paradiso.
[CHAPTER XVII.]
A QUIET RESTING-PLACE.
A few words only are desirable to be added in reference to the surviving inmate of the home of which Miss Wordsworth was so long a cherished member. The poet's aged widow survived her husband and sister-in-law for some years. She was not solitary in her widowhood, but tenderly loved by devoted friends. Miss Joanna Baillie, writing to Mrs. Fletcher in the June succeeding the death of Wordsworth, says: "Many thanks to you for sending to us a copy of these lines" (the lines upon the companionship of Wordsworth and his sister, before mentioned), "and for letting us know how his excellent wife, Mrs. Wordsworth, bears up under her severe affliction. She was a mate worthy of him or any man, and his sister too, such a devoted noble being as scarcely any other man ever possessed."
Mrs. Fletcher's diary, under date, Sunday, the 7th May, 1854, contains the following entry: "Yesterday, Mrs. Davy brought Mrs. Wordsworth to dinner. It is always a pleasure to see the placid old age of dear Mrs. Wordsworth. Hers has been a life of duty, and it is now an old age of repose, while her affections are kept in constant exercise by the tender interest she takes in her grand-children."
During the last three years of her life Mrs. Wordsworth was blind; and it is deeply pathetic to read how, in her last days, when her sightless eyes could no longer peruse the sacred page, she loved to feel with her trembling fingers a cross which she kept in her room, and which seemed to remind her of the Christian's hope. Her life of calm devotion and disinterested love, succeeded by an old age of resignation and peace, was brought to a serene close on the 17th of January, 1859.
Among the quiet resting-places of the dead, few, if any, are of deeper interest than the peaceful churchyard of Grasmere. Under the shadow of the everlasting hills "girded with joy," and by the banks of the murmuring stream singing in its onward course of hopes beyond the grave, it is a spot which affection would choose for its most tenderly loved. As "the Churchyard among the mountains," many of the annals of which are recorded in that grand philosophic poem, "The Excursion," it could not fail to draw thither the footsteps of the thoughtful. But there is one corner on approaching which we seem to feel more solemnised, to breathe more gently—where the footstep falls lighter and lingers longer. To us it is as sacred a nook as the shadowy corner of the famous Abbey where are laid England's greatest sons. The group of graves gathered there are not glorified by the "religious light" of storied windows, but they are warmed by summer suns, and covered with a garment of purity by winter snows, and over-shadowed by aged yews, which gently shower around them their peaceful and slumberous undersong.
In the south-east corner of this quiet God's Acre is to be found this cluster of graves, surrounded by an iron palisade, to each of which a history of more than common interest is attached. Behind the principal group are three short graves, two of which, being the first formed of the group, attract attention. These are the graves of little Catherine and Thomas Wordsworth, the children of the poet, whose early and sudden deaths have been mentioned. The stone indicating the resting-place of the "loving, and tractable, though wild," Catherine bears the inscription, "Suffer little children to come unto Me." That of her brother contains a few memorial lines recording at once his age and loving disposition:—