The Believing Years

by Edmund Lester Pearson

Elm Street, into which we rushed that afternoon, was a broad thoroughfare extending from one end of the town to the other. On both sides it was lined with trees, set at the edge of the brick sidewalks. Mainly fine tall elms, they lent a distinction to the street and made it notable among those which characterize the older towns of New England. In the opinion of all the citizens, Elm Street was beyond comparison.

Local pride did not exaggerate. Its unusual length, its great, graceful trees and the dignified houses, made the street undoubtedly beautiful. There were houses of every style which has been in vogue during two hundred years. Roofs which sloped in the rear nearly to the ground, gambrel roofs, and the various less attractive fashions of the nineteenth century,—all were there.

But those of which the owners were most proud, those best suited to the street, were the great, square, three-storied houses, built in the early years of the century. That was the time of the town's prosperity, before a fire had checked its growth, before shifting sands had almost closed its harbor. Ships from the old town sailed every ocean then, and carried our flag into strange, foreign ports. Their captains, or their owners, built many of the big, square houses, so you could often see, on the roof, a little railed platform, where the householder might stand of a morning to sweep the harbor and the ocean with his spy-glass. Charley Carter's father did this regularly, although the ships in which he was interested sailed to this port no longer, if, indeed, they sailed at all.

The town was built along one bank of the river, and Elm Street followed the crest of the slope. It was an easy thing, therefore, for any one standing on the roof of one of the houses to get a good view of the river, the salt marshes, the sand-dunes, and the ocean. The ocean spread out there, bright and clear, from the dim blue mountain that rose on the far horizon in Maine, to the low hills of Cape Ann. Sometimes, at night, the east wind brought the rumble of breakers, or the booming sound of a whistling buoy that guarded the harbor.

The town was long and very narrow. From Elm Street you could look down some of the cross streets to the river, and beyond. On the other side of Elm Street, as soon as you had passed the gardens that lay behind the big houses, you were almost in open country. There were a few outlying farms, a few shanties, and then bare, scrubby fields, the Common Pasture, rocky knolls and clumps of woods. On one of these farms dwelt Mr. Diggery,—a fierce little man, of whom we went in terror.

So near did the river come to the lower part of the town that a storm often made people who lived in that quarter need high boots to get across the street; while the country (unexplored wilds to us!) closed up so near on the other side of Elm Street, that owls, woodchucks, and an occasional fox penetrated the gardens.

It was this nearness of the river and ocean, and of the open country, that made the town such a delightful dwelling-place for us. Even the centre of the town, the neighborhood where Ed Mason and Jimmy Toppan lived, and Rob Currier, the two Carters, Horace Winslow, Peter Bailey, and I,—this was a region thick with the possibilities of adventure. Much of this centred about the frog pond and the Mall. The pond was full of goldfish, and other humbler fish, and toads, frogs, and water-beetles. You were sure to find something interesting whenever you walked around the pond. Many of our neighbors on Elm Street owned large gardens, to which we had entrance—either by permission, or by the informal and far more adventurous method of climbing the back fence.

The owners of the gardens, at that period, were mostly elderly persons, dwelling in great contentment and the most profound quiet. Their lives were comfortable, well-ordered, and precise. They lived mainly in the past. They pondered much on some grandfather, or great-grandfather, who had built up a fortune through foreign trade, and they heeded not at all the remarks of envious and ill-natured folk who liked to point out that one of the chief commodities of this trade was rum. The principal hallmark of their respectability was a portrait of their ancestor, with very pink cheeks,—the sign of an outdoor life, and not necessarily an indication of a taste for port and madeira.

Beside this venerable portrait would hang a lively representation of the ship Sally B., as she appeared on some memorable occasion entering the harbor of Singapore, and viewed by one of those artists who invariably happen to be near by when the ship is under full sail and making not less than twelve knots.

It was a period not so very far removed from our own time, and yet different from it in a number of respects. No thumping, grinding trolley car disturbed the quiet of Elm Street that bright June afternoon. Infrequently, an omnibus rambled up and down. By night the darkness was punctuated here and there by a gas flame at the top of an iron lamp post. Rob Currier's big brother Dick had the proud privilege of going about our neighborhood at sunset, with a ladder and a supply of matches, to set these lamps alight. We used to watch him, and wonder if we should ever get old enough and sufficiently influential to occupy a public position like his. But before we reached the required age and dignity the old lamp-posts had been taken down in favor of electric lights.