I have confirmed to-day all that I said in Bird Watching (pp. 90-3) about the love-piping of these sea-pies. For some reason or other—rivalry, I think, passing into a form—two birds, that I put down as males, seem to like to pipe together to one who, by her quiescence and general deportment, I judge to be the female. I have seen this twice since coming here, once yesterday, and now again within these few hours. This last time it was almost as marked as in the instances I have described, and towards the end one of the piping birds showed a tendency to go down on his shanks, as though kneeling to his lady love. I do not think he quite did this, but he bent towards it. I am convinced myself that the dance of three peewits, as described by Mr. Hudson in The Naturalist in La Plata, has had some such origin as this. What one wants, in order to arrive at the real nature of the latter, is a number of detailed descriptions, instead of a mere general one, never in my opinion of much value in such matters. Pains, also, should be taken to ascertain the sexes of each of the three birds that takes a part in the show.
Another nuptial sport or play which these birds indulge in belongs to air—where, indeed, they pipe as strongly and easily as upon the ground. This that I speak of, however, appeals in an equal degree to the eye and ear. Two birds pursue each other closely, mounting all the while in a steep slant, till, having gained some elevation, both turn at an acute angle, and descend in the same manner, in a reversed direction, thus tracing the shape of a pyramid. Having completed the air-drawn figure, they immediately reproduce it, and thus they continue on quickly vibrating wings—now upwards, far above the cliff-line, now downwards, almost to the sea—piping the whole time in the fullest-throated way. Even in a small and sober-suited bird such a performance might attract attention. How much more here where, to the boot of the large size of the two artistes, and the noise they make, the boldly contrasted black and white of their plumage, the deep rose-red of the bill, and pale rose-pink of the legs, give it a very lovely appearance. For myself, I have seen few things more striking.
A BITTER DISAPPOINTMENT
A
AMAN here—one accustomed to the sea, but not a Shetlander—had told me that seals come up on the rocks as the tide goes out, and are floated off them as it comes up again—and this, indeed, I have seen. He did not seem to think that they lay on the rocks independently of the tides, so, as the tide to-day should be out about 5.30, I resolved to go to the same place as yesterday—the accustomed haunt of seals here—about two, so as to be in good time. I arrive accordingly, but what is my astonishment to see, on a vast, sloping slab of rock, ending in a miniature cliff, far above the highest line of moist seaweed, and comfortably independent of all tides, twelve seals, of varying figures and different degrees of obesity, lying, roughly, in two rows, and in all sorts of attitudes and depths of repose. What a sight! What beautiful, fat, sleepy things! and what a lovely little secret creek of the wave-lashed, iron-ribbed coast have they found to sleep in! How the waters sleep in it, too! How gently they creep to shores strewn with a wild confusion of titanic black boulders heaped about still huger fragments of the cliff's wastage, so huge, some of them, that they are dwarfed only by the frowning precipices that tower behind! How they lick up upon the brown hanging seaweed that drips against the high, dark walls of this their boudoir, falling back from it again with a deep-sucked gurgle that ravishes the ear! What a snug sea-chamber, formed and fashioned by the waves! How the cormorants dive and fish in it, how the gull tears at the drifted carcase of its kind, how the puffins, in ceaseless flight between ocean and their myriad burrows, arch and dome it in! Oh, it is a fine apartment! Its portals on either side are columns of spouting foam, and beyond lies the wild, houseless sea. A seal's dormitory!—how well do the wild things choose! So here, at once, one learns something different to what one is told. Seals care nothing about tides when they can get great slanting slabs that lie high and dry above them. At high tide, or low tide, or middle tide, they are equally ready to sleep.
I came down the steep descent in a way which made me and everything I had on, or carried with me—which was everything I have here to keep me warm and dry—both wet and dirty. At the bottom there was a mass of nasty, brown, wet discomfort; but it had successfully stalked the seals. They lay now right before me, so near as to make the glasses almost a superfluity. Yet how splendidly they showed them up—every mark, turn, and expression, their whiskers, wrinkles, and their fine eyes. And now, still more markedly than yesterday, I note that the favourite attitude of a seal, when lying asleep or dozing, is either on its back or half or three-quarters rolled over towards it. Out of all these twelve, only one lies in the way that all illustrations persist in depicting them as lying. Three are absolutely on their backs, with their faces, or rather chins, looking, for long periods, straight up into the sky; others are almost as supine, but, by turning their faces sideways, seem to be less so, whilst the rest vary between this and full on their side, in which position they look much like a huge salmon lying on a fishmonger's dresser. Who has ever drawn seals like this? Where is there such a rendering? Always, as far as I can remember, they are made to lie on their stomachs. Yet here is the living thing.
As various as their attitudes seems to be the degree of their rest. Some raise their heads and look to this side or that, at irregular intervals that are not very long apart. Others seem sunk in deep and heavy slumber, their very attitudes—or rather, their attitudes more than anything else—expressing "the rapture of repose that's there." Yet even these, if watched for long enough, are seen occasionally to raise their heads, or scratch themselves lazily with their front paws, or expand or interlace their hind ones, moving them sometimes in a very curious manner suggesting the rotating screw of a steamer. It would seem, therefore, that, however fast asleep they may look, they are really only in a sort of doze.