16. Explain use of of in l. [75]. 17. What part of speech is wandering l. [114]? to viewen l. [201]? parse which l. [232]; him and spend l. [233]; you and shew l. [276]. 18. Find examples of Euphuistic hyperbole in [iv], of alliteration in [xiv]. 19. Explain the use and form of eyne, edified, afflicted, weeds, Hebean, impe, compeld, areeds, blazon, ycladd.

[CANTO II]

I. The Plot: Deceived by Archimago's phantoms, the Redcross Knight suspects the chastity of Una, and flies at early dawn with his dwarf. He chances to meet the Saracen Sansfoy in company with the false Duessa. They do battle and Sansfoy is slain. Duessa under the name of Fidessa attaches herself to the Knight, and they ride forward. They stop to rest under some shady trees, On breaking a bough, the Knight discovers that the trees are two lovers, Fradubio and Fraelissa, thus imprisoned by the cruel enchantment of Duessa.

II. The Allegory: 1. Hypocrisy under a pious disguise is attractive to Holiness. Truth is also deceived by it, and shamefully slandered. Holiness having abandoned Truth, takes up with Falsehood, who is attended by Infidelity. Unbelief when openly assailing Holiness is overthrown, but Falsehood under the guise of Faith remains undiscovered. The fate of the man (Fradubio) is set forth who halts between two opinions,—False Religion (Duessa) and Heathen Philosophy, or Natural Religion (Fraelissa).

2. The Reformed Church, no longer under the guidance of Truth, rushes headlong into Infidelity, and unwittingly became the defender of the Romish Faith under the name of the True Faith. There is a hint of the intrigues of Mary Queen of Scots and the libels of the Jesuits on Queen Elizabeth designed to bring back the English nation to Romish allegiance.

LINE [1.] the Northerne wagoner, the constellation Boötes.

[2.] his sevenfold teme, the seven stars of Ursa Major, or Charles's Wain. the stedfast starre, the Pole-star, which never sets.

[6.] chearefull Chaunticlere, the name of the cock in the fabliaux and beast epics, e.g. Roman de Renart and Reineke Fuchs.

[7.] Phœbus fiery carre, the sun.

[11.] that faire-forged spright, fair but miscreated spirit (I, xiv). Spenser took suggestions for this stanza from Ariosto and Tasso.