Mr. Flexor was by nature mendacious; indeed his employers used pleasantly to remark, that when he did not lie, it was simply by accident; but in what he had mentioned to Charley Potts about Geoffrey Ludlow's visits to the nameless female then resident in his, Flexor's, house, he had merely spoken the truth. To be sure there had been an arrière pensée in his remark; the fact being that Flexor objected to matrimony as an institute amongst his patrons. He found that by an artist in a celibate state beer was oftener sent for, donations of cigars were more frequent, cupboards were more constantly unlocked, and irregularities of attendance on his part, consequent on the frivolities of the preceding night, were more easily overlooked, than when there was a lady to share confidence and keys, and to regard all models, both male and female, as "horrid creatures." But although Mr. Flexor had spoken somewhat disparagingly of Geoffrey's frequent visits, and had by his hints roused up a certain amount of suspicion in the breasts of Charley Potts and that grim old cynic William Bowker, he was himself far from knowing what real ground for apprehension existed, or how far matters had progressed, at least with one of the parties concerned.
For Geoffrey Ludlow was hard hit! In vain he attempted to argue with himself that all he had done, was doing, and might do, was but prompted by benevolence. A secret voice within him told him that his attempts at self-deceit were of the feeblest, and that, did he but dare to confess it, he knew that there was in this woman whom he had rescued from starvation an attraction more potent than he had ever yet submitted to. It was, it may be said, his duty to call and see how she was getting on, to learn that she wanted for nothing, to hear from her own lips that his orders for her comfort had been obeyed; but it was not his duty to sit watching jealously every glance of her eye, every turn of her head, every motion of her lithe fingers. It was not his duty to bear away with him recollections of how she sat when she said this or answered that; of the manner in which, following a habit of hers, she would push back the thick masses of her gleaming hair, and tuck them away behind her pretty ears; or, following another habit, she would drum petulantly on the floor with her little foot, when talking of any thing that annoyed her--as, for instance, Mrs. Flexor's prying curiosity.
What was it that caused him to lie awake at night, tossing from side to side on his hot pillow, ever before him the deep-violet eyes, the pallid face set in masses of deep-red hair, the slight frail figure? What was it that made his heart beat loudly, his breath come thickly, his whole being tingle with a strange sensation--now ecstatic delight, now dull blank misery? Not philanthropy, I trow. The superintendents of boys' reformatories and refuges for the houseless poor may, in thinking over what good they have achieved, enjoy a comfortable amount of self-satisfaction and proper pride; but I doubt if the feeling ever rises to this level of excitement. Not much wonder if Geoffrey himself, suffering acutely under the disease, knew not, or refused to avow to himself, any knowledge of the symptoms. Your darling child, peacefully sleeping in his little bed, shall show here and there an angry skin-spot, which you think heat or cold, or any thing else, until the experienced doctor arrives, and with a glance pronounces it scarlet-fever. Let us be thankful, in such a case, that the prostrate patient is young. Geoffrey's was as dire a malady, and one which, coming on at forty years of age, usually places the sufferer in a perilous state. It was called Love; not the ordinary sober inclination of a middle-aged man, not that thin line of fire quivering amongst a heap of ashes which betokens the faded passion of the worn and sated voluptuary; this was boy-love, calf-love, mad-spooniness--any thing by which you can express the silliest, wildest, pleasantest, most miserable phase of human existence. It never comes but once to any one. The caprices of the voluptuary are as like to each other as peas or grains of sand; the platonic attachments or the sentimental liaisons indulged in by foolish persons of both sexes with nothing to do may have some slight shade of distinction, but are equally wanting in backbone and vis. Not to man or woman is it given to be ever twice "in love"--a simple phrase, which means every thing, but needs very little explanation. My readers will comprehend what I want to convey, and will not require my feeble efforts in depicting the state. Suffice it to say, that Geoffrey Ludlow, who had hitherto gone through life scot-free, not because he was case-hardened, not because he was infection-proof, or that he had run no risks, but simply from the merest chance,--now fell a victim to the disease, and dropped powerless before its attack.
He did not even strive to make head against it much. A little of his constitutional wavering and doubtfulness came into play for a short time, suggesting that this passion--for such he must allow it--was decidedly an unworthy one; that at present he knew nothing of the girl's antecedents; and that her actual state did not promise much for all she had to tell of what had gone before. At certain times too, when things present themselves in their least roseate garb, notably on waking in the morning, for instance, he allowed, to himself, that he was making a fool of himself; but the confidence extended no farther. And then, as the day grew, and the sun came out, and he touched up his picture, and thought of the commissions Mr. Stompff had promised him, he became brighter and more hopeful, and he allowed his thoughts to feast on the figure then awaiting him in Little Flotsam Street, and he put by his sheaf of brushes and his palette, and went up and examined himself in the glass over the mantelpiece. He had caught himself doing this very frequently within the last few days, and, half-chuckling inwardly, had acknowledged that it was a bad sign. But though he laughed, he tweaked out the most prominent gray hairs in his beard, and gave his necktie a more knowing twist, and removed the dabs of stray paint from his shooting-coat. Straws thrown up show which way the wind blows, and even such little sacrifices to vanity as these were in Geoffrey Ludlow very strong signs indeed.
He had paid three visits to Little Flotsam Street; and on the fourth morning, after a very poor pretence of work, he was at the looking-glass settling himself preparatory to again setting out. Ever since that midnight adventure after the Titians meeting, Geoffrey had felt it impossible to take his usual daily spell at the easel, had not done five-pounds' worth of real work in the whole time, had sketched-in and taken out, and pottered, and smoked over his canvas, perfectly conscious that he was doing no good, utterly unable to do any better. On this fourth morning he had been even more unsuccessful than usual; he was highly nervous; he could not even set his palette properly, and by no manner of means could he apply his thoughts to his work. He had had a bad night; that is, he had woke with a feeling that this kind of penny-journal romance, wherein a man finds a starving girl in the streets and falls desperately in love with her, could go on no longer in London and in the nineteenth century. She was better now, probably strong enough to get about; he would learn her history, so much of it at least as she liked to tell; and putting her in some way of earning an honest livelihood, take his leave of her, and dismiss her from his thoughts.
He arrived at this determination in his studio; he kept it as he walked through the streets; he wavered horribly when he came within sight of the door; and by the time he knocked he had resolved to let matters take their chance, and to act as occasion might suggest. It was not Mrs. Flexor who opened the door to him, but that worthy woman's youngest plague, Reg'las, who, with a brown eruption produced by liquorice round his lips, nodded his head, and calmly invited the visitor, as he would have done any one else, to "go up 'tairs." Geoffrey entered, patted the boy's head, and stopped at the parlour-door, at which he gave a low rap, and immediately turning the handle, walked in.
She was lying as usual on the sofa, immediately opposite the door; but, what he had never seen before, her hair was freed from the confining comb, and was hanging in full luxuriance over her shoulders. Great heavens, how beautiful she looked! There had been a certain piquancy and chic in her appearance when her hair had been taken saucily off her face and behind her ears; but they were nothing as compared to the profound expression of calm holy resignation in that dead-white face set in that deep dead-gold frame of hair. Geoff started when he saw it; was it a Madonna of Raphael's, or a St. Teresa of Guido's, which flashed across his mind? And as he looked she raised her eyes, and a soft rosy flush spread over her face, and melted as quickly as it came. He seated himself on a chair by her side as usual, and took her hand as usual, the blood tingling in his fingers as he touched hers--as usual. She was the first to speak.
"You are very early this morning. I scarcely expected you so soon--as you may see;" and with a renewed flush she took up the ends of her hair, and was about to twist them up, when Geoffrey stopped her.
"Leave it as it is," said he in a low tone; "it could not be better; leave it as it is."
She looked at him as he spoke; not a full straight glance, but through half-closed lids; a prolonged gaze,--half-dreamy, half-intense; then released her hair, and let it again fall over her shoulders in a rich red cloud.