"Well, Matilda, and what do you think of your new relation? I'm sure you've been as quiet as quiet; there's been no getting a word out of you. But I suppose you don't mind telling your mother. What do you think of her?"

"She is very handsome, mamma, and seems very kind, and very fond of Geoff."

"Handsome, my dear! She's really splendid! There's a kind of je ne sais quoi about her that--and tall too, like a duchess! Well, I don't think the Wilkinsons in the Crescent will crow any longer. Why, that girl that Alfred Wilkinson married the other day, and that they all went on so about, isn't a patch upon Margaret. Did you notice her cape and cuffs, Matilda? Rather Frenchified, I thought; rather like that nurse that the Dixons brought from Boulogne last year, but very pretty. I hope she'll wear them when she comes to spend the day with us, and that some of those odious people in the Crescent will come to call. Their cook seems to have a light hand at pie-crust; and did you taste the jelly, my dear? I wonder if it was made at home; if so, the cook's a treasure, and dirt-cheap at seventeen and every thing found except beer, which Margaret tells me is all she gives! I see they didn't like my arrangement of the furniture; theyve pulled the grand-piano away from the wall, and put the ottoman in its place: nice for the people who sit on it to rub the new paper with their greasy heads!"

And so the old lady chattered on until she felt sleepy, and stumbled out at her own door in an exhausted state, from which the delicious refreshment of a little cold brandy-and-water and a particularly hard and raspy biscuit did not rouse her. But just as Til was stepping into bed her mother came into the room, perfectly bright and preternaturally sharp, to say, "Do you know, my dear, I think, after all, Geoffrey was very fond of Joe Telford's widow? You were too young then to recollect her; for when I was speaking about her to-night, and saying how much better it was that both husband and wife should come fresh to each other, Geoff s hand shook like an aspen-leaf, and his face was as pale as death."

[CHAPTER II.]

MARGARET.

Margaret had carried out what she knew would be the first part of the new programme of her life. During their short honeymoon, Geoffrey had talked so much of his mother and sister, and of his anxiety that they should be favourably impressed with her, that she had determined to put forth all the strength and tact she had to make that first meeting an agreeable one to them. That she had done so, that she had succeeded in her self-imposed task, was evident. Mrs. Ludlow, in her parting words, had expressed herself delighted with her new daughter-in-law; but by her manner, much more than by any thing she had said, Geoff knew that his mother's strong sympathies had been enlisted, if her heart had not been entirely won. For though the old lady so far gave in to the prejudices of the world as to observe a decent reticence towards objects of her displeasure--though she never compromised herself by outraging social decency in verbal attacks or disparaging remarks--a long experience had given her son a thorough appreciation of, and power of translating, certain bits of facial pantomime of a depreciatory nature, which never varied; notably among them, the uplifted eyebrow of astonishment, the prolonged stare of "wonder at her insolence," the shoulder-shrug of "I don't understand such things," and the sniff of unmitigated disgust. All these Geoff had seen brought to bear on various subjects quite often enough to rate them at their exact value; and it was, therefore, with genuine pleasure that he found them conspicuous by their absence on the occasion of his mother's first visit to Elm Lodge.

For although Geoff was not particularly apt as a student of human nature,--his want of self-confidence, and the quiet life he had pursued, being great obstacles to any such study,--he must, nevertheless, have had something of the faculty originally implanted in him, inasmuch as he had contrived completely, and almost without knowing it himself, to make himself master of the key to the characters of the two people with whom his life had been passed. It was this knowledge of his mother that made him originally propose that the first meeting between her and Margaret should take place at Brompton, where he could take his wife over as a visitor. He thought that very likely any little latent jealousy which the old lady might feel by reason of her deposition, not merely from the foremost place in her son's affections, but from the head of his table and the rulership of his house,--and it is undeniable that with the very best women these latter items jar quite as unpleasantly as the former,--whatever little jealousy Mrs. Ludlow may have felt on these accounts would be heightened by the sight of the new house and furniture in which it had pleased Geoff to have his new divinity enshrined. There is a point at which the female nature rebels; and though Geoff neither knew, nor professed to know, much about female nature, he was perfectly certain that as a young woman is naturally more likely to "take up with" another who is her inferior in personal attractions, so Mrs. Ludlow would undoubtedly be more likely to look favourably on a daughter-in-law whose status, artificially or otherwise, should not appear greater than her own. It was Margaret who dissuaded Geoff from his original intention, pitting against her husband's special acquaintance with his mother's foibles her ordinary woman's cleverness, which told her that, properly managed, the new house and furniture, and all their little luxury, could be utilised for, instead of against, them with the old lady, making her part and parcel of themselves, and speaking of all the surroundings as component parts of a common stock, in which with them she had a common interest. This scheme, talked over in a long desultory lovers' ramble over the green cliffs at Niton in the ever-lovely Isle of Wight, resulted in the letter requesting Mrs. Ludlow to superintend the furniture-people, of which mention has already been made, and in the meeting taking place at Elm Lodge, as just described.

This first successful stroke, which Geoff perhaps unduly appreciated (but any thing in which his mother was involved had great weight with him), originated by Margaret and carried out by her aid, had great effect on Geoffrey Ludlow, and brought the woman whom he had married before him in quite a new light. The phrase "the woman he had married" is purposely chosen, because the fact of having a wife, in its largest and most legitimate sense, had not yet dawned upon him. We read in works of fiction of how men weigh and balance before committing matrimony,--carefully calculate this recommendation, calmly dissect that defect; we have essay-writers, political economists, and others, who are good enough to explain these calculations, and to show us why it ought to be, and how it is to be done; but, spite of certain of my brother-fictionists and these last-named social teachers, I maintain that, in ninety-nine cases out of a hundred, a man who is a man, "with blood, bones, passion, marrow, feeling," as Byron says, marries a girl because he is smitten with the charms either of her person or her manner--because there is something simpatico, as the Italians call it, between them--because he is "in love with her," as the good old English phrase runs; but without having paid any thing but the most cursory attention to her disposition and idiosyncrasy. Is it so, or is it not? Such a state of things leads, I am perfectly aware, to the acceptance of stone for bread and scorpions for fish; but it exists, hath existed, and will continue to exist. Brown now helplessly acknowledges Mrs. B.'s "devil of a temper;" but even if he had had proof positive of it, he would have laughed it away merrily enough that summer at Margate, when Mrs. B. was Emily Clark, and he was under the thrall of her black eyes. Jones suffers under his wife's "low fits," and Robinson under Mrs. Robinson's religion, which she takes very hot and strong, with a great deal of groaning and anathematising; but though these peculiarities of both ladies might have been learned "on application" to any of the various swains who had been rejected by them, no inquiry was ever made by the more fortunate men who took them honestly on trust, and on account of their visible personal attractions: And though these instances seem drawn from a lower class of life, I contend that the axiom holds good in all states of society, save, of course, in the case of purely mercenary marriages, which, however, are by no means so common in occurrence, or at all events so fatal in their results, as many of our novel-writers wish us to believe.

It was undoubtedly the case with Geoffrey Ludlow. He was a man as free from gross passions, as unlikely to take a sudden caprice, or to give the reins to his will, as any of his kind. His intimates would as soon have thought of the bronze statue of Achilles "committing" itself as Geoff Ludlow; and yet it was for the dead-gold hair, the deep-violet eyes, and the pallid face, that he had married Margaret Dacre; and on her mental attributes he had not bestowed one single thought. He had not had much time, certainly; but however long his courtship might have been, I doubt whether he would have penetrated very far into the mysteries of her idiosyncrasy. He had a certain theory that she was "artistic;" a word which, with him, took the place of "romantic" with other people, as opposed to "practical." Geoff hated "practical" people; perhaps because he had suffered from an over-dose of practicality in his own home. He would far sooner that his wife should not have been able to make pies and puddings, and cut-out baby-linen, than that she should have excelled in those notable domestic virtues. But none of these things had entered his head when he asked Margaret Dacre to join her lot with his,--save, perhaps, an undefined notion that no woman with such hair and such eyes could be so constituted. You would have looked in vain in Guinevere for the characteristics of Mrs. Rundell, or Miss Acton.