'Good-night. Be sharp and prudent in this matter for your own sake. And, by the way, from that letter of instructions there is only one detail omitted--bear it well in mind. It is this: that when I direct you to go to Norfolk I shall mean Chicago.'.

[CHAPTER VII.]

CONJUGAL CONFIDENCE.

Bleeker-Street is not attractive, either for rambling or residence. The tall houses present all the outward and visible signs of over-habitation with which eyes accustomed to exercise themselves in great cities are familiar, and the passage of the often-recurring tramways keeps up a perpetual vibration and a remorseless noise which banish all rest and peace for the sojourner. It is a street to live in only under pressure of necessity; and it is to be presumed that the people who do live in it have no great latitude for choice.

There are, however, degrees of discomfort, disorderliness, and out-of-elbow makeshift even in Bleeker-street, for the houses have numerous and desultory inmates, of all arms in the serried ranks of humanity fighting in the battle of life--only among the rank and file though, be it understood; and the parlours all along the line of the house fronts are mostly occupied by respectable artisans, with a sprinkling of superannuated rentiers in a small way.

An observer ascending from story to story would find the status of the dwellers in the monotonous dreary houses progressing crab fashion. The poorer in circumstances, the lower in position, the inmate, the higher tip he, she, or they--or much more usually he and she and they--dwelt in the swarming buildings.

To Bleeker-street Ephraim Jenkins took his way when his mysterious authoritative employer dismissed him; and one of the poorest, dingiest, and most crowded of its houses received his somewhat slouching form. His form was a little less slouching than when he had struggled down to the place of rendezvous to meet the sailor; the most inveterate loafer pricks up for a little while under the proud consciousness of having got something to do for which he is going to be paid.

Ephraim Jenkins did not object to a temporary occupation of a kind to leave him a future margin of idleness, without danger of coming to want; and it was with a decided accession of cheerfulness to his countenance and alacrity to his step that he climbed the stair of one of the least inviting of the houses in Bleeker-street to the topmost story, and presented himself in a dull, close, ill-furnished room, carpetless, curtainless, and forlorn-looking. This room had one tenant already--a woman, who sat in an attitude expressive of deep despondency and utter listlessness beside the rusty stove, leaning her head against the wall, and with her hands folded in her black stuff apron.

This woman moved when Ephraim Jenkins entered; but before her glance turned towards him it fell upon an object, commonplace in itself, but to which that unconscious spontaneous look lent a pathetic interest; it was an empty cradle. The woman was still young, and though not quite handsome, was very comely. She had kindly bright dark eyes, black hair, a fresh colour, and a singularly honest expression of countenance. She was neatly though poorly dressed, in what seemed to be an attempt at mourning, but wore no new article of attire; though it was evident the motive of the attempt was recent, for when she spoke to Jenkins, it was with streaming eyes and a broken voice.

'What a time you have been away, and how lonely I have felt!' she said, as he hung his hat on a nail, and threw himself heavily into one of the two chairs in the room.