"Yes, and in excellent spirits: I have not the least doubt of her success."
"That is delightful;" and they passed on. When they had gone a few steps, Miles asked his friend who was the lady of whom he and Lady Carabas were speaking.
"My dear fellow," said Lord Sandilands with a little chuckle, "I haven't the remotest notion. Dear Lady Carabas is always giving one half-confidences about people she's interested in, and 'pon my life I'm too old to open my heart indiscriminately, and make myself partaker of the joys and sorrows of half the world. So, as she's a dear good creature, and I would not offend her for the world, I nod my head, and grin, and pretend I know all about it; and I find that answers very well."
Miles laughed at the old gentleman's evident satisfaction, and they entered the rooms. A large movable platform, so slightly raised as to give the performers sufficient altitude above the spectators without disconcerting them by any pretensions to a stage, occupied one end of the spacious apartment, a recent erection built specially for concert-giving purposes, and with all the latest acoustic improvements. Opposite the platform, bristling with seats for the instrumentalists, stood the conductor's desk. To the right of this were a few benches for the most distinguished guests, and behind it were the seats for the general company. All the seats were unoccupied at present, and the company were grouped together about the room, chatting freely. It was early in the season at present; and that frightful lack of conversation which necessarily falls on people who have naturally very little to say, and who, having seen each other every night for three months, have exhausted that little, had not as yet made itself felt. Miles Challoner, as he looked round on the beautiful women so exquisitely dressed, the brightly-lighted room, the inexpressible air of luxury and elegance which pervaded the entire scene, as he thought that for the future he might, if he so chose, have similar pleasant resorts at his command, felt the oppressive thoughts, the dull, dead level of world-weariness and vapidity, gradually slipping from him. His eyes brightened, he looked round him eagerly, and his whole demeanour was so fresh and spirited and youthful as to seriously annoy several blasé young men of two or three-and-twenty, who had long since used up all signs of youth, and who inquired of each other who was the rustic, gushing person that old Sandilands had brought with him.
Lord Sandilands had himself noticed the change in his friend's manner, and was about to rally him on it, when the musicians came trooping into the room and took their places. Sir Purcell Arne, the well-known amateur composer, who was to conduct, rapped the desk in front of him; the foreign professionals who had settled themselves modestly in the back rows, uttered profound sounds of "Hsh--sh!" and the company generally seated themselves. Lord Sandilands and Miles were proceeding with the rest, when the former saw himself beckoned by Lady Carabas to the place of distinction by her side, and he took his young friend with him.
The ouverture ought to have been very well played, for it was very much applauded at its conclusion, though, as Jack Hawkes remarked to the young lady sitting next to him, that might possibly have been because they were so glad it was over. It is certain that during the performance several of the more excitable foreigners ground their teeth, and covered their ears with their hands, while at its close Sir Purcell Arne addressed two recreant members of the orchestra--the second cornet and the first clarinet, being respectively a young gentleman in the Coldstreams, and an old gentleman in the India Office--in terms of the strongest opprobrium. Sir Purcell's good-temper was restored after his son, a favourite pupil of Ellenbogen's, had played a solo on the violin; and during the applause consequent thereon, he crossed over to Lady Carabas's seat, and whispered, "She's quite ready; shall I bring her in?" Lady Carabas, too much excited to speak, gave him an affirmative nod; and the enthusiasm had scarcely subsided, to be renewed with tenfold force as Sir Purcell returned leading by the hand a young lady, whom, with one of his best bows, he left facing the audience while he went back to his conductor's desk.
The young lady stood perfectly unmoved by the storm of applause which hailed her arrival, the only sign of emotion which she betrayed being a slight contraction of her thin decisive lips; and this was only momentary. She was a decidedly pretty girl, Miles thought; with rich brown eyes, and well-formed features, and slight though rounded figure. In her dark chestnut hair, which was banded close round her head, and gathered into a large knot behind, she wore one white rose, and another in the front of her plain white-silk dress. Other ornament had she none, save a gold locket with a horseshoe in turquoises on her neck, and a bracelet, a band of plain gold, on one arm. Who was this handsome and distinguished-looking girl who was received with so much empressement? Miles Challoner took up a perfumed programme that lay beside him, and read her name--Miss Grace Lambert.
[CHAPTER IV.]
Breaking Cover.
Miss Grace Lambert! Who was she? The programme, of course, told nothing but her name, and when Miles Challoner turned to his companion for the purpose of inquiring further, he saw that his brows were knit, and his lips tightly clenched. Miles looked at Lord Sandilands in surprise, but forbore to question him. It was evident that the people in his immediate vicinity were equally unable to assuage his curiosity, as they were all talking and chattering together, and throwing glances towards the occupant of the platform, who stood totally unmoved. Then Sir Purcell Arne, looking round with a half-anxious, half-triumphant air, gave the customary three taps on his desk, and with a wave of his baton led the orchestra into the prelude. It was a simple English air--very simple--with a pathetic refrain, and out from the harmonious ensemble of the musicians came a soft sweet bird-like voice, beginning mellowly and low, then rising into a clear pure treble, a volume of lark-like utterance, a continuous ripple of sound, such as is seldom heard in human voice. Few notes had been uttered before their effect became visible on the whole assemblage--amongst the foreigners first; on the back benches, where were gathered the hirsute professionals honoured with the entrée to Lady Carabas' concerts, there was an immediate movement, a simultaneous pricking of ears and elevation of eyebrows, culminating into a general impossible-to-be-suppressed "A--h!" of intense delight. Then the enthusiasm spread. Impressible young girls with the nil-admirari breeding scarcely yet habitual to them, looked timidly towards their chaperones, as though pleading, "For Heaven's sake, let us for one moment be natural, and give vent to the delight with which this girl has inspired us." Said chaperones, with some faint reminiscence of nature unbusked and unsteeled by conventionality, sought relief in faintly tapping their kidded palms with their fans. Old boys, dragged away from after-dinner maps, or cosy house-dinners at the clubs, to do family duty, and expecting nothing but driest musical classicalities, expressed their gratitude in strident "bravas." Even the gilded youth of the period, surprised out of its usual inanity into a feeble semblance of life and earnestness, condescended to express its opinion of the singer, that she was not "half bad, don't you know?" And its component members inquired of each other, "who the devil is she?" On Lady Carabas' handsome face the hard-set look of anxiety had softened into the blandest smile of triumph; old Sir Purcell Arne's blond moustache bristled with delight; and at the conclusion of the ballad, when the singer, rising to the occasion, had sent a flood of melody surging through the room, now dying away in softest trills and most harmonious cadences, the enthusiasm could no longer be restrained, and amidst sonorous applause breaking forth from every side, the amateur instrumentalists leading the van, and Lady Carabas herself, regardless of appearances or of the value of three-buttoned gloves, clapping her hands with the ardour of the most zealous member of a professional claque,--Miss Grace Lambert, perfectly composed, and with the slightest bow in recognition of her triumph, laid her fingers daintily on Sir Purcell Arne's tremblingly-proffered arm, and disappeared from public view. Ten minutes' interval now, much needed. Impossible, after such a display, to keep the coterie quiet, and it breaks up at once into twenty little knots, all with the same refrain of praise, differently expressed: "Das ist aber'was Schönes!" "Tiens, tiens, Jules! v'là donc un rossignol charmant!" "That's what I call good singing, for an Englishwoman, that is, Veluti! Capisco, signor!" "Tell you what it is, old fella; since poor Bosio, you know, never heard anything like that, don't you know?" "It's A1, don't you know?" Frank testimonies these, from the male sex; chiming in with "Dearest Lady Carabas, O, how I congratulate you! Where did you find such a treasure? Charmin', quite charmin'; so ladylike, and all that kind of thing. Quite a nice-looking person, too!" from the female portion of the audience.