"When we reached the street," Frances went on, "Mr. Max was so funny. He didn't say a word, only stalked along looking quite cross. Miss Connie sat down on a wall and laughed till she cried. Then she told Mr. Max to smile and show his dimple. But he wouldn't. I don't see how he could help it when she was so pretty and sweet. Well, after she laughed some more, she begged him please to look affectionate.

"At that he couldn't help smiling, and then he asked Miss Connie if she was ever going to stop getting herself and him into scrapes. She called him 'old boy' and said she was sorry,—she wasn't really," Fran interpolated with a wise nod,—"and promised to stick to the Church of England service ever after. Mr. Max inquired how much I understood and when I told him only a little, he said it was lucky. That was certainly a very peculiar church," Frances ended reflectively. "I'm quite sure that Mr. Max wanted to come out long before we did, and that Miss Connie persisted in staying just to tease him."

Win was smiling over his sister's story, but though he evinced interest both in the Manor ghost and in the amusing experience Connie had furnished with her little French church, the point that most impressed him was Max's presence at the Manor.

"I wish I could see him," he observed. "I want so much to ask a question or two. Did Miss Connie tell him about the paper I found and how we explored the vaults and sounded the walls?"

"She did," assented Frances. "We talked about it after dinner. Mr. Max was as interested as could be and said he was going down himself to take a look."

"Mother," said Win suddenly. "I really need to see him. Don't you believe he'd come in for a minute if he knew I was used up so I couldn't get to the Manor?"

"Indeed, I do," assented Mrs. Thayne. "Write a note, dear. Roger shall take it for you."

Roger, who for some reason haunted his brother's room in a subdued mood not at all common to his usual attitude toward life, was very willing to act as messenger. Toward night, Max appeared at Rose Villa.

CHAPTER XVII

THE DOTTED LINE