The dart found no lodging place in Miss Sharp's sleek armor. She seemed scarcely to have heard.
"My dear," she whispered, "his eyes! And his manner! You must be—whatchamaycallit—adamant. Is that the way you pronounce it? You know what I mean."
"Oh, yes," replied Emma McChesney evenly, "I—know what you mean."
She told herself that she was justified in the righteous contempt which she felt for this sort of thing. A heart-breaker! A cheap lady-killer! Whereupon in walked Sam Bloom, of the Paris Emporium, Duluth, one of Mrs. McChesney's stanchest admirers and a long-tried business friend.
The usual thing: "Younger than ever, Mrs. McChesney! You're a wonder—yes, you are! How's business? Same here. Going to have lunch with me to-day?" Then: "I'll just run in and see Buck. Say, where's he been keeping himself all these years? Chip off the old block, that boy."
So he had the men, too!
It was in this frame of mind that Miss Ethel Morrissey found her on the morning that she came into New York on her semi-annual buying-trip. Ethel Morrissey, plump, matronly-looking, quiet, with her hair fast graying at the sides, had nothing of the skittish Middle Western buyer about her. She might have passed for the mother of a brood of six if it were not for her eyes—the shrewd, twinkling, far-sighted, reckoning eyes of the business woman. She and Emma McChesney had been friends from the day that Ethel Morrissey had bought her first cautious bill of Featherlooms. Her love for Emma McChesney had much of the maternal in it. She felt a personal pride in Emma McChesney's work, her success, her clean reputation, her life of self-denial for her son Jock. When Ethel Morrissey was planned by her Maker, she had not been meant to be wasted on the skirt-and-suit department of a small-town store. That broad, gracious breast had been planned as a resting-place for heads in need of comfort. Those plump, firm arms were meant to enfold the weak and distressed. Those capable hands should have smoothed troubled heads and patted plump cheeks, instead of wasting their gifts in folding piles of petticoats and deftly twitching a plait or a tuck into place. She was playing Rosalind in buskins when she should have been cast for the Nurse.
She entered Emma McChesney's office, now, in her quiet blue suit and her neat hat, and she looked very sane and cheerful and rosy-cheeked and dependable. At least, so Emma McChesney thought, as she kissed her, while the plump arms held her close.
Ethel Morrissey, the hugging process completed, held her off and eyed her.
"Well, Emma McChesney, flourish your Featherlooms for me. I want to buy and get it over, so we can talk."