Heyl put an arm on Fanny's desk and learned forward, his face very earnest. “I do expect you to believe it. I expect you to believe everything I say to you. Not only that, I expect you not to be surprised at anything I say. I've done such a mass of private thinking about you in the last ten years that I'm likely to forget I've scarcely seen you in that time. Just remember, will you, that like the girl in the sob song, `You made me what I am to-day?'”
“I! You're being humorous again.”
“Never less so in my life. Listen, Fan. That cowardly, sickly little boy you fought for in the street, that day in Winnebago, showed every sign of growing up a cowardly, sickly man. You're the real reason for his not doing so. Now, wait a minute. I was an impressionable little kid, I guess. Sickly ones are apt to be. I worshiped you and hated you from that day. Worshiped you for the blazing, generous, whole-souled little devil of a spitfire that you were. Hated you because—well, what boy wouldn't hate a girl who had to fight for him. Gosh! It makes me sick to think of it, even now. Pasty-faced rat!”
“What nonsense! I'd forgotten all about it.”
“No you hadn't. Tell me, what flashed into your mind when you saw me in Temple that night before you left Winnebago? The truth, now.”
She learned, later, that people did not lie to him. She tried it now, and found herself saying, rather shamefacedly, “I thought `Why, it's Clarence Heyl, the Cowardy-Cat!'”
“There! That's why I'm here to-day. I knew you were thinking that. I knew it all the time I was in Colorado, growing up from a sickly kid, with a bum lung, to a heap big strong man. It forced me to do things I was afraid to do. It goaded me on to stunts at the very thought of which I'd break out in a clammy sweat. Don't you see how I'll have to turn handsprings in front of you, like the school-boy in the McCutcheon cartoon? Don't you see how I'll have to flex my muscles—like this—to show you how strong I am? I may even have to beat you, eventually. Why, child, I've chummed with lions, and bears, and wolves, and everything, because of you, you little devil in the red cap! I've climbed unclimbable mountains. I've frozen my feet in blizzards. I've wandered for days on a mountain top, lost, living on dried currants and milk chocolate,—and Lord! how I hate milk chocolate! I've dodged snowslides, and slept in trees; I've endured cold, and hunger and thirst, through you. It took me years to get used to the idea of passing a timber wolf without looking around, but I learned to do it—because of you. You made me. They sent me to Colorado, a lonely kid, with a pretty fair chance of dying, and I would have, if it hadn't been for you. There! How's that for a burst of speech, young woman! And wait a minute. Remember, too, my name was Clarence. I had that to live down.”
Fanny was staring at him eyes round, lips parted. “But why?” she said, faintly. “Why?”
Heyl smiled that singularly winning smile of his. “Since you force me to it, I think I'm in love with that little, warm-hearted spitfire in the red cap. That's why.”
Fanny sat forward now. She had been leaning back in her chair, her hands grasping its arms, her face a lovely, mobile thing, across which laughter, and pity, and sympathy and surprise rippled and played. It hardened now, and set. She looked down at her hands, and clasped them in her lap, then up at him. “In that case, you can forsake the strenuous life with a free conscience. You need never climb another mountain, or wrestle with another—er—hippopotamus. That little girl in the red cap is dead.”