Well. Forty years ago, having made the worst of it you made the best of it. No going home to mother. The word "incompatibility" had not come into wide-spread use. Incompatibility was a thing to hide, not to flaunt. The years that followed were dramatic or commonplace, depending on one's sense of values. Certainly those years were like the married years of many another young woman of that unplastic day. Hannah Winter had her job cut out for her and she finished it well, and alone. No reproaches. Little complaint. Criticism she made in plenty, being the daughter of a voluble mother; and she never gave up hope of stiffening the spine of the invertebrate Hermie.
The ten thousand went in driblets. There never was anything dashing or romantic about Hermie Slocum's failures. The household never felt actual want, nor anything so picturesque as poverty. Hannah saw to that.
You should have read her letters back home to Chicago—to her mother and father back home on Rush Street, in Chicago; and to her girlhood friends, Sarah Clapp, Vinie Harden, and Julia Pierce. They were letters that, for stiff-lipped pride and brazen boasting, were of a piece with those written by Sentimental Tommy's mother when things were going worst with her.
"My wine-coloured silk is almost worn out," she wrote. "I'm thinking of making it over into a tea-gown with one of those new cream pongee panels down the front. Hermie says he's tired of seeing me in it, evenings. He wants me to get a blue but I tell him I'm too black for blue. Aren't men stupid about clothes! Though I pretend to Hermie that I think his taste is excellent, even when he brings me home one of those expensive beaded mantles I detest."
Bald, bare-faced, brave lying.
The two children arrived with mathematical promptness—first Horace, named after his grandfather Winter, of course; then Martha, named after no one in particular, but so called because Hermie Slocum insisted, stubbornly, that Martha was a good name for a girl. Martha herself fixed all that by the simple process of signing herself Marcia in her twelfth year and forever after. Marcia was a throw-back to her grandmother Winter—quick-tongued, restless, volatile. The boy was an admirable mixture of the best qualities of his father and mother; slow-going, like Hermie Slocum, but arriving surely at his goal, like his mother. With something of her driving force mixed with anything his father had of gentleness. A fine boy, and uninteresting. It was Hannah Winter's boast that Horace never caused her a moment's sorrow or uneasiness in all his life; and so Marcia, the troublous, was naturally her pride and idol.
As Hermie's business slid gently downhill Hannah tried with all her strength to stop it. She had a shrewd latent business sense and this she vainly tried to instil in her husband. The children, stirring in their sleep in the bedroom adjoining that of their parents, would realize, vaguely, that she was urging him to try something to which he was opposed. They would grunt and whimper a little, and perhaps remonstrate sleepily at being thus disturbed, and then drop off to sleep again to the sound of her desperate murmurs. For she was desperate. She was resolved not to go to her people for help. And it seemed inevitable if Hermie did not heed her. She saw that he was unsuited for business of the mercantile sort; urged him to take up the selling of insurance, just then getting such a strong and wide hold on the country.
In the end he did take it up, and would have made a failure of that, too, if it had not been for Hannah. It was Hannah who made friends for him, sought out prospective clients for him, led social conversation into business channels whenever chance presented itself. She had the boy and girl to think of and plan for. When Hermie objected to this or that luxury for them as being stuff and nonsense Hannah would say, not without a touch of bitterness, "I want them to have every advantage I can give them. I want them to have all the advantages I never had when I was young."
"They'll never thank you for it."
"I don't want them to."