"But I guess I can manage it, all right," Raymond had said. "That isn't so terrible—for six rooms."
Cora's full under lip had drawn itself into a surprisingly thin straight line. Later, Raymond came to recognize the meaning of that labial warning. "We don't need all those rooms. It's just that much more work."
"I don't want you doing your own work. Not unless you want to. At first, maybe, it'd be sort of fun for you. But after a while you'll want a girl to help. That'll take the maid's room off the kitchen."
"Well, supposing? That leaves an extra room, anyway."
A look came into Raymond's face. "Maybe we'll need that, too—later. Later on." He actually could have been said to blush, then, like a boy. There was much of the boy in Raymond at twenty-eight.
Cora did not blush.
Raymond had married Cora because he loved her; and because she was what is known as a "home girl." From the first, business girls—those alert, pert, confident little sparrows of office and shop and the street at lunch hour—rather terrified him. They gave you as good as you sent. They were always ready with their own nickel for carfare. You never knew whether they were laughing at you or not. There was a little girl named Calhoun in the binoculars (Raymond's first Chicago job was with the Erwin H. Nagel Optical Company on Wabash). The Calhoun girl was smart. She wore those plain white waists. Tailored, Raymond thought they called them. They made her skin look fresh and clear and sort of downy-blooming like the peaches that grew in his own Michigan state back home. Or perhaps only girls with clear fresh skins could wear those plain white waist things. Raymond had heard that girls thought and schemed about things that were becoming to them, and then stuck to those things. He wondered how the Calhoun girl might look in a fluffy waist. But she never wore one down to work. When business was dull in the motor and sun-glasses (which was where he held forth) Raymond would stroll over to Laura Calhoun's counter and talk. He would talk about the Invention. He had no one else to talk to about it. No one he could trust, or who understood.
The Calhoun girl, polishing the great black eyes of a pair of field glasses, would look up brightly to say, "Well, how's the Invention coming on?" Then he would tell her.
The Invention had to do with spectacles. Not only that, if you are a wearer of spectacles of any kind, it has to do with you. For now, twelve years later, you could not well do without it. The little contraption that keeps the side-piece from biting into your ears—that's Raymond's.
Knowing, as we do, that Raymond's wife is named Cora we know that the Calhoun girl of the fresh clear skin, the tailored white shirtwaists, and the friendly interest in the Invention, lost out. The reason for that was Raymond's youth, and Raymond's vanity, and Raymond's unsophistication, together with Lucy Calhoun's own honesty and efficiency. These last qualities would handicap any girl in love, no matter how clear her skin or white her shirtwaist.