"Why don't you bring some young folks home to eat, Chug? I like to fuss around for company." She was a wonderful cook, Mrs. Scaritt, and liked to display her skill.

"Who is there to bring?"

"The boys and girls you go around with. Who is it you're always fixing up for, evenings?"

"Nobody."

Mrs. Scaritt tried another tack.

"I s'pose this house isn't good enough for 'em? Is that it?"

"Good enough!" Chug laughed rather grimly. "I'd like to know what's the matter with it!"

There was, as a matter of fact, nothing the matter with it. It was as spick and span as paint and polish could make it. The curtain-stretching days were long past. There had even been talk of moving out of the house by the tracks, but at the last moment Mrs. Scaritt had rebelled.

"I'll miss the sound of the trains. I'm used to 'em. It's got so I can tell just where my right hand'll be when the seven fifty-two goes by in the morning, and I've got used to putting on the potatoes when I hear the 'leven-forty. Let's stay, Chug."

So they had stayed. Gradually they had added an improvement here, a convenience there, as Chug's prosperity grew, until now the cottage by the tracks was newly painted, bathroomed, electric-lighted, with a cement walk front and back and a porch with a wicker swing and flower baskets. Chug gave his mother more housekeeping money than she needed, though she, in turn, served him meals that would have threatened the waist-line of an older and less active man. There was a banana pie, for instance (it sounds sickish, but wait!) which she baked in a deep pan, and over which she poured a golden-brown custard all flecked with crusty melted sugar. You took a bite and lo! it had vanished like a sweet dewdrop, leaving in your mouth a taste as of nectar, and clover-honey, and velvet cream.