“Yes. But what good did it do? The newspapers and magazines did take it up, but what happened? The dressmakers and tailors, who are charging more than ever for their work, and putting in half as much material, got together and knocked my plans into a cocked hat. In answer to those snap-shots showing what took place every time a woman climbed a car step, they came back with pictures of the styles of '61, proving that the street-car effect is nothing to what happened to a belle of '61 if she chanced to sit down or get up too suddenly in the hoop-skirt days.”
They were both laughing now, like a couple of children. “And, oh, say!” gasped Emma, “remember Moe Selig, of the Fine-Form Skirt Company, trying to get the doctors to state that hobble skirts were making women knock-kneed! Oh, mercy!”
But their laugh ended in a little rueful silence. It was no laughing matter, this situation. T. A. Buck shrugged his shoulders, and began a restless pacing up and down. “Yep. There you are. Meanwhile—”
“Meanwhile, women are still wearing 'em tight, and going petticoatless.”
Suddenly T. A. stopped short in his pacing and fastened his surprised and interested gaze on the skirt of the trim and correct little business frock that sat so well upon Emma McChesney's pretty figure.
“Why, look at that!” he exclaimed, and pointed with one eager finger.
“Mercy!” screamed Emma McChesney. “What is it? Quick! A mouse?”
T. A. Buck shook his head, impatiently. “Mouse! Lord, no! Plaits!”
“Plaits!”
She looked down, bewildered.