He didn’t think he’d be home next week. One of the fellows he’d met at the Arnolds’ had invited him to their place out north, on the lake. He had a boat.
“That’ll be lovely!” Selina exclaimed, after an almost unnoticeable moment of silence—silence with panic in it. “I’ll try not to fuss and be worried like an old hen every minute of the time I think you’re on the water. . . . Now do go on, Sobig. First fruit with mayonnaise, h’m? What kind of soup?”
He was not a naturally talkative person. There was nothing surly about his silence. It was a taciturn streak inherited from his Dutch ancestry. This time, though, he was more voluble than usual. “Paula . . .” came again and again into his conversation. “Paula . . . Paula . . .” and again “. . . Paula.” He did not seem conscious of the repetition, but Selina’s quick ear caught it.
“I haven’t seen her,” Selina said, “since she went away to school the first year. She must be—let’s see—she’s a year older than you are. She’s nineteen going on twenty. Last time I saw her I thought she was a dark scrawny little thing. Too bad she didn’t inherit Julie’s lovely gold colouring and good looks, instead of Eugene, who doesn’t need ’em.”
“She isn’t!” said Dirk, hotly. “She’s dark and slim and sort of—uh—sensuous”—Selina started visibly, and raised her hand quickly to her mouth to hide a smile—“like Cleopatra. Her eyes are big and kind of slanting—not squinty I don’t mean, but slanting up a little at the corners. Cut out, kind of, so that they look bigger than most people’s.”
“My eyes used to be considered rather fine,” said Selina, mischievously; but he did not hear.
“She makes all the other girls look sort of blowzy.” He was silent a moment. Selina was silent, too, and it was not a happy silence. Dirk spoke again, suddenly, as though continuing aloud a train of thought, “—all but her hands.”
Selina made her voice sound natural, not sharply inquisitive. “What’s the matter with her hands, Dirk?”
He pondered a moment, his brows knitted. At last, slowly, “Well, I don’t know. They’re brown, and awfully thin and sort of—grabby. I mean it makes me nervous to watch them. And when the rest of her is cool they’re hot when you touch them.”
He looked at his mother’s hands that were busy with some sewing. The stuff on which she was working was a bit of satin ribbon; part of a hood intended to grace the head of Geertje Pool Vander Sijde’s second baby. She had difficulty in keeping her rough fingers from catching on the soft surface of the satin. Manual work, water, sun, and wind had tanned those hands, hardened them, enlarged the knuckles, spread them, roughened them. Yet how sure they were, and strong, and cool and reliable—and tender. Suddenly, looking at them, Dirk said, “Now your hands. I love your hands, Mother.”