When the eagerly awaited day at length arrived and the two hero-worshippers were sitting in bliss at the theatre, they found some difficulty at first in recognising Macneillie. He was just the Danish prince and no one else. It was only when both hero and heroine were called before the curtain, that they could at all think of him as the same man they had seen a few weeks before in St. James’ Park.
As he led forward Miss Greville the contrast between them was curiously marked. She, with her smiling face, her air of perfect ease and content, seemed thoroughly to enjoy the warm reception. He, on the other hand, merely bowed mechanically, and looked as if this interlude were highly distasteful to him; the children could have fancied that he was positively nervous, though they doubted whether an experienced actor could really know what nervousness meant.
After that call before the curtain they lost the sense that Hamlet himself was actually present; always through the passionate scenes and the tragic death which followed, it was not entirely Hamlet, but Macneillie with his own personal troubles that they saw; they wondered much how he could get through his part, and more and more after that day his name continually recurred in their talk, in their games, and even in their prayers.
Just at the close of the season they saw him once again. Fraulein Ellerbeck had promised that on the first fine Saturday they should go to Richmond Park, taking their lunch with them. They had learnt from the conversation of their elders at the breakfast table that it was the very day on which Miss Christine Greville was to marry Sir Roderick Fenchurch. The marriage was to take place at a small country church, and was to be of a strictly private character. They had talked of it more than once as they sat at lunch under the trees in the park, and early in the afternoon as they wandered along the quiet paths and watched the deer grazing peacefully, their minds were full of their hero and his trouble. Suddenly Evereld gripped hold of her companion’s arm.
“Look!” she exclaimed in a low voice. “Is it not Mr. Macneillie?”
Ralph’s heart beat fast as he glanced at the approaching figure. Had their incessant thought of him conjured up a sort of vision of the actor? Or was it indeed himself? Nearer approach answered the question plainly enough. It was undoubtedly Macneillie, but there was something in his ghastly face which struck terror into the boy’s heart, it reminded him of that awful shadow of death which he had seen stealing over his father on that last never-to-be-forgotten day. Apparently quite unconscious of their presence, Macneillie passed by, but in a minute Ralph, to the amazement of Fraulein Ellerbeck and Evereld, had rushed back and overtaken him.
“I beg your pardon,” he said, panting a little; “but I am the boy you saved the other day in St. James’ Park. And—and please will you take this knife as a remembrance.”
He thrust into Macneillie’s hand a little old-fashioned silver fruit knife which had belonged to his father.
The actor evidently dragged himself back with an effort to the world of realities. He looked in a puzzled way at the boy and at the embossed handle of the knife.
“You are very good,” he said in a perplexed tone. “Yes, yes, I remember you now—you and your boat. But I don’t like to take your knife away from you.”