But the mere name system calls up the static idea of a finished building. Here there is nothing of the kind. The new philosophy desires to be a proceeding as much as, and even more than, to be a system. It insists on being lived as well as thought. It demands that thought should work at living its true life, an inner life related to itself, effective, active, and creative, but not on that account directed towards external action. "And," says Mr Bergson, "it can only be constructed by the collective and progressive effort of many thinkers, and of many observers, completing, correcting, and righting one another." (Preface to "Creative Evolution".)

Let us see how it begins, and what is its generating act.

III.

How are we to attain the immediate? How are we to realise this perception of pure fact which we stated to be the philosopher's first step?

Unless we can clear up this doubt, the end proposed will remain to our gaze an abstract and lifeless ideal. This is, then, the point which requires instant explanation. For there is a serious difficulty in which the very employment of the word "immediate" might lead us astray.

The immediate, in the sense which concerns us, is not at all, or at least is no longer for us the passive experience, the indefinable something which we should inevitably receive, provided we opened our eyes and abstained from reflection.

As a matter of fact, we cannot abstain from reflection: reflection is today part of our very vision; it comes into play as soon as we open our eyes. So that, to come on the trail of the immediate, there must be effort and work. How are we to guide this effort? In what will this work consist? By what sign shall we be able to recognise that the result has been obtained?

These are the questions to be cleared up. Mr Bergson speaks of them chiefly in connection with the realities of consciousness, or, more generally speaking, of life. And it is here, in fact, that the consequences are most weighty and far-reaching. We shall need to refer to them again in detail. But to simplify my explanation, I will here choose another example: that of inert matter, of the perception on which the physical is based. It is in this case that the divergence between common perception and pure perception, however real it may be, assumes least proportions.

Therefore it appears most in place in the sketch I desire to trace of an exceedingly complex work, where I can only hope, evidently, to indicate the main lines and general direction.

We readily believe that when we cast our eyes upon surrounding objects, we enter into them unresistingly and apprehend them all at once in their intrinsic nature. Perception would thus be nothing but simple passive registration. But nothing could be more untrue, if we are speaking of the perception which we employ without profound criticism in the course of our daily life. What we here take to be pure fact is, on the contrary, the last term in a highly complicated series of mental operations. And this term contains as much of us as of things.