Seaward Sussex: The South Downs from End to End

by Edric Holmes

We now enter the Transitional Retro-choir; here is the altar tomb of Bishop Story (1503) who built Chichester Market Cross, and of Bishop Day (1556). The columns of Purbeck marble which grace this part of the cathedral are of great beauty. The screens of native iron have already been noticed, they are of simple but effective design.

We pass the terminal chapel of the south aisle, dedicated to St. Mary Magdalene and restored in memory of Dean Cross, and enter the Chapel of Our Lady, noting (left) the tombs of Bishops Hilary and Ralph, and (right) Bishop Seffrid II, the builder of the Early English portions of the Cathedial. This beautiful chapel was finished in the early fourteenth century and in the eighteenth was considered unworthy of repair and handed over to the Duke of Richmond, whose private property it for a long time became. The floor was raised to allow of a burial vault being constructed below, and the upper portion became the library.

The restoration was resolved upon in 1870 as a memorial to Bishop Gilbert, and the then Duke being in sympathy with the revived canons of good taste no opposition was encountered. It may be of interest to quote an anonymous correspondent in the Gentleman's Magazine (1829, part II) which shows how the leaven was at work even then.

"Some ten years since a Goth, by some untoward chain of circumstances, possessed sufficient influence with his brethren in the Chapter to induce that body to whitewash the church, and by way of ornament, and with a view to compensate for the loss of the original paintings on the groining of the choir destroyed by the whitewash, the said gentleman had the archivolt mouldings and all the lines of the building which were in relief, tastefully coloured in yellow ochre. The name of the perpetrator of this outrage on good taste and good feeling it is unnecessary to add, as he will never plan or design any further embellishment to the cathedral, but if any of his coadjutors in the daubing and smearing line have survived him, and still possess influence, I tremble for the effects of the present repair.

"The curious chantry of St. Richard, an object of veneration among Catholics even to our own days, and the elegant stone screen of the roodloft, have been literally plastered with whitewash, the rich sculptured bosses being converted into apparently unshapely lumps of chalk, and the flat spaces within the heads of the Norman arches of the nave, which are sculptured with scales and flowers, are almost reduced to a plane surface.... The removal of this rubbish would be a work of time; it should be gradually and effectually performed arch by arch, or its removal may carry away with it many of the sculptures it may conceal. This will certainly be the case if any London architect, with a contractor at his heels, sets about a thorough repair to be completed in a given time....

"The more ancient injuries which the appearance of the cathedral had sustained were, in the first instance, occasioned by the erection of a breastwork in front of the triforium, which concealed the bases and half the shafts of the columns; this might now be easily removed as the object of its erection, to protect from accident the spectators of the ancient processions, has ceased to exist. Since the Reformation a great portion of the nave has been fitted up with pews, the congregation adjourning from the choir to the nave to hear the sermon. I need not point out the injury the nave sustains in appearance from this cause and many points of perspective, highly picturesque, which would arise from the singular duplication of the aisles of this church are entirely lost through the existence of the sermon place."

On the south side of the nave is the entrance to the irregularly built cloisters; here are several monuments and a good view of the interesting details of the exterior of the cathedral. The Bishop's Palace is at the west end; it has an Early English chapel in which is an interesting fresco of the Virgin and Child. At the south-east angle of the cloister is the Chantry of St. Faith dating from the early fourteenth century.

The Bell Tower, which is an unique feature of the Cathedral, dates from the late fifteenth century; it was built to relieve the central tower of the main building from the weight of the eight bells, most of them ancient, with quaintly worded and spelt inscriptions. The Arundel screen has been placed within the tower, but special permission must be obtained to see this.