Benedetto, on the other hand, shook my hand and said: "For God, I thank you," and I felt well repaid. But he was in the back seat being brought up to date by his daughter; I had the honor of Zorchi's company next to me....
There was a long Latin period from the church, a response from the altar boy, and then the final Ite, missa est. We heard the worshippers moving out of the church.
The priest came through the room we were waiting in, his robes swirling. He didn't look around, or give any sign that he knew we were there, though he almost stepped on Zorchi, sitting propped against a wall.
A moment later, another man in vaguely clerical robes entered and nodded to us. "Now we go below," he ordered.
Benedetto and I flanked Zorchi and carried him, an arm around each of our necks. We followed the sexton, or whatever he was, back into the church, before the altar—Benedetto automatically genuflected with the others, nearly making me spill Zorchi onto the floor—to a tapestry-hung door. He pushed aside the tapestry, and a cool, musty draft came up from darkness.
The sexton lit a taper with a pocket cigarette lighter and led us down winding, rickety steps. There was no one left in the church to notice us; if anyone had walked in, we were tourists, doing as countless millions of tourists had done before us over the centuries.
We were visiting the Catacombs.
Around us were the bones of the Christians of a very different Rome. Rena had told me about them: How they rambled under the modern city, the only entrances where churches had been built over them. How they had been nearly untouched for two thousand years. I even felt a little as though I really were a tourist as we descended, she had made me that curious to see them.