The next morning, Rena breakfasted with me, just the two of us in a tower room looking down over the round slope of Vesuvius and the Bay beneath. She said: "The museum has been closed since the bomb landed near, so you can roam around the exhibits if you wish. There are a couple of caretakers, but they're with us. The rest of us will be in conference. I'll try to see you for lunch."
And she conducted me to an upper level of the Observatory and left me by myself. I had my orders—stay in the public area of the museum. I didn't like them. I wasn't used to being treated like a small boy, left by his mother in a Company day nursery while she busied herself with the important and incomprehensible affairs of adults.
Still, the museum was interesting enough, in a way. It had been taken over by the Company, it appeared, and although the legend frescoed around the main gallery indicated that it was supposed to be a historical museum of the Principality of Naples, it appeared by examination of the exhibits that the "history" involved was that of Naples vis-a-vis the Company.
Not, of course, that such an approach was entirely unfair. If it had not been for the intervention of the Company, after the Short War, it is more than possible that Naples as an independent state would never have existed.
It was the Company's insistence on the dismantling of power centers (as Millen Carmody himself had described it) that had created Naples and Sicily and Prague and Quebec and Baja California and all the others.
Only the United States had been left alone—and that, I think, only because nobody dared to operate on a wounded tiger. In the temper of the nation after the Short War, the Company would have survived less than a minute if it had proposed severing any of the fifty-one states....
The museum was interesting enough, for anyone with a taste for horrors. It showed the changes in Neapolitan life over the past century or so. There was a reconstruction of a typical Neapolitan home of the early Nineteen-forties: a squalid hovel, packed ten persons to the room, with an American G.I., precursor of the Company expediters, spraying DDT into the bedding. There was, by comparison, a typical Class-B Blue Heaven modern allotment—with a certain amount of poetic license; few Class-B homes really had polyscent showers and auto-cooks.
It was the section on warfare, however, that was most impressive. It was in the far back of the building, in a large chamber anchored to bedrock. It held a frightening display of weapons, from a Tiger Tank to a gas-gun. Bulking over everything else in the room, even the tank, was the thirty-foot height of a Hell-bomb in a four-story display. I looked at it a second time, vaguely disturbed by something I hadn't quite placed—an indigo gleam to the metal of the warhead, with a hint of evil under its lacquered sheen....