Ἑλλήνων τεμένη καὶ βωμοὺς ἐξαλαπάξας,
χειρὸς ἀπ' οὐτιδανῆς Ἰοβιανὸς ἔδωκεν ἄνακτι.
Who was this Jovianus? Clearly a Christian as zealous as his Imperial namesake; for he cannot be the Emperor himself, as some have thought. He thought it glory and not shame to destroy the works of the Gentiles—the Ἕλληνες—and to turn them to the service of the royal faith. But are we to take the "royal faith" in the same sense as the "royal law" of the New Testament? or does it mean the "royal faith," as being set up under some orthodox Emperor, when the orthodoxy of Emperors was still a new thing? Anyhow the plunderer of Gentile temples and altars could not keep himself from something of the Gentile in the ring and the language of his verses. And had he made use of his spoil to rear a basilica like those of Constantine and Theodoric, we should, from a wider view than that of the mere classical antiquary, have but little right to blame him. The rest of the columns, besides the two that are left, would have well relieved the bareness of his interior; better still would it have been if Saint Peter ad Vincula had found a rival in two arcades formed out of the Doric columns whose fragments lie about at Corfu, almost as Corinthian and Composite fragments lie about at Rome. The third church, that which professes to be the oldest in the island, that which bears the name of the alleged apostles of the island, the Jasôn and Sosipatros of the New Testament, is a more successful work. Brought to its present form about the twelfth century by the priest Stephen, as is recorded in two inscriptions on its west front, it is, allowing for some modern disfigurements, an admirable specimen of a small Byzantine church. It will remind him who comes by way of Dalmatia of old friends at Zara, Spalato, and Traü; but it has the advantage over them of somewhat greater size, and of standing free and detached, so that the outline of its cross, its single central cupola and its three apses, may be well seen. This church, like most in the neighbourhood, has a bell-gable—κωδωνοστάσιον—with arches for three bells, of a type which seems to be found of all ages from genuine Byzantine to late Renaissance.
SAINT JASON AND SAINT SOSIPATROS, CORFU.
To go back to earlier times, the museum of Corfu contains an inscription, βουστροφηδόν inscription, rivalling that of Menekratês in its archaism, attached to a Doric capital, of far later workmanship, one would have thought, than the inscription. The building art had clearly outstripped the writing art. The military cemetery contains some beautiful Greek sepulchral sculptures from various quarters, not all Korkyraian. And at some distance from the city, near the shore of Benizza—a name of Slavonic sound—is a Roman ruin with mosaics and hypocaust, whose bricks we think Mr. Parker would rule to be not older than Diocletian. In Corfu such a monument seems at first sight to be out of place. For Hellenic remains, for Venetian remains, we naturally look; still it is well to have something of an intermediate day, something to remind us of the long ages which passed between the revolutions recorded by Polybios and the revolutions recorded by Nikêtas.