Till “Cherry-ripe” themselves do cry.
Her eyes like angels watch them still;
Her brows like bended bows do stand,
Threat’ning with piercing frowns to kill
All that attempt with eye or hand
These sacred cherries to come nigh,
Till “Cherry-ripe” themselves do cry.
8. Phineas Fletcher (1582–1650) and Giles Fletcher (1588–1623) are usually associated in the history of literature. They were brothers, were both educated at Cambridge, and both took holy orders. Both were poetical disciples of Spenser.
Phineas Fletcher’s chief poem is The Purple Island, or The Isle of Man (1633), a curious work in twelve cantos describing the human body in an allegorical-descriptive fashion. There is much digression, which gives the poet some scope for real poetical passages. In its plan the poem is cumbrous and artificial, but it contains many descriptions in the Spenserian manner. The stanza is a further modification of the Spenserian, which it resembles except for its omission of the fifth and seventh lines.
Giles’s best-known poem is Christ’s Victorie and Triumph (1610), an epical poem in four cantos. The title of the poem sufficiently suggests its subject; in style it is glowingly descriptive, imaginative, and is markedly ornate and melodious in diction. It is said partly to have inspired Milton’s Paradise Regained. The style is strongly suggestive of Spenser’s, and the stanza conveys the same impression, for it is the Spenserian stanza lacking the seventh line.