Echoes the sun, and doth unlace

Her at his rise, at his full stop

Packs and shuts up her gaudy shop,

Mistakes her cue, and doth display:

Thus Phillis antedates the day.

On Phillis, walking before Sunrise

(b) In blank verse conflicting movements are also apparent. In Milton the style reaches a magnificent climax. But in the drama, especially in the drama of minor playwrights of the ability of Suckling and Davenant, it becomes a huddle of verse and prose, so bad that one hesitates to say where the verse ends and the prose begins. It is the last stage of poetical decrepitude.

(c) The heroic couplet begins to appear, ushering in its long reign. We have it appearing as early as Spenser’s Shepherd’s Calendar (1579) and Sandys’s Ovid (1626); but the true stopped couplet, as used by Dryden and developed by Pope, is usually set down to the credit of Cowley’s Davideis (1637), or Denham’s Cooper’s Hill (1641), or the shorter poems of Edmund Waller (1606–87), who wrote stopped couplets as early as 1623. The heroic couplet will receive further notice in the next chapter.

TABLE TO ILLUSTRATE THE DEVELOPMENT OF LITERARY FORMS

DatePoetryDramaProse
LyricEpicDescriptiveComedyTragedyHistoricalReligiousMiscellaneous
Wither
Massinger
1630Milton[125]CowleyFord
HerbertMilton
CowleySuckling
SucklingDavenant
1640CarewFuller
Denham
Browne[126]
CrashawMilton
VaughanFullerHowell
Clarendon[127]Browne
HerrickBaxter
Lovelace
1650DavenantTaylor[128]
MarvellHobbes
BarrowWalton
Cowley
Milton[129]Chamberlayne
1660Fuller
1670Milton[130]