2. Compare the following passage with the example of Johnsonese given in the last question. Which is the more abstract, and which is the more ornate? Is there any resemblance between the two in sentence-construction and vocabulary?
There are few great personages in history who have been more exposed to the calumny of enemies, and the adulation of friends, than Queen Elizabeth, and yet there is scarce any whose reputation has been more certainly determined by the unanimous consent of posterity. The unusual length of her administration, and the strong features of her character, were able to overcome all prejudices; and obliging her detractors to abate much of their invectives, and her admirers somewhat of their panegyrics, have at last, in spite of political factions, and, what is more, of religious animosities, produced an uniform judgment with regard to her conduct. Her vigour, her constancy, her magnanimity, her penetration, vigilance, address, are allowed to merit the highest praises, and appear not to have been surpassed by any person who ever filled a throne: a conduct less rigorous, less imperious, more sincere, more indulgent to her people, would have been requisite to form a perfect character. By the force of her mind, she controlled all her more active and stronger qualities, and prevented them from running into excess. Her heroism was exempt from all temerity, her frugality from avarice, her friendship from partiality, her active temper from turbulency and a vain ambition. She guarded not herself with equal care or equal success from lesser infirmities—the rivalship of beauty, the desire of admiration, the jealousy of love, and the sallies of anger.
Hume, The History of England
3. The following poetical extracts, which are arranged in chronological order, are meant to show the transition from the classical to Romantic methods. In each examine the subject, style, and the attitude of the author, and explain how the transition is revealed.
(1) For lo! the board with cups and spoons is crowned,
The berries crackle, and the mill turns round:
On shining altars of Japan they raise
The silver lamp; the fiery spirits blaze:
From silver spouts the grateful liquors glide,
While China’s earth receives the smoking tide;