It has already been remarked that Sarah, wife of Abraham (whose name, Sarah, means "the princess"), occupies no such place in the imagination and tradition of the Hebrews as did Abraham, their father. It is around Leah and Rachel that the tribes of Israel group themselves, and the book of Ruth speaks of them as having built the house of Israel, and Leah and Rachel were the mothers of the twelve patriarchs for whom the tribes were subsequently named. Especially does Rachel occupy a high place, not only because she was Jacob's most favorite wife, but because of those personal qualities which more readily stirred the poetic and religious imagination of the people. The poet-prophet, Jeremiah, writing of the loss of life among the sons of Israel, because of the invasion and cruelty of Nebuchadnezzar, King of Babylon, represents the people's sadness at the terrible calamity as "Rachel weeping for her children because they are not"--an expression which may have been suggested by Rachel's early condition of childlessness, followed by the loss of both her sons, Joseph and Benjamin, in the land of Egypt. The expression has borrowed new force, because it is quoted as again exemplified in "the slaughter of the innocents" by Herod the Great at the time of the birth of Jesus.
II
ISRAEL'S HEROIC AGE
In the early history of the Hebrews, the people followed the free, roving life of the shepherd. In a climate where water supply was by no means sure, where a flowing stream which gave drink to the flocks to-day might be a rocky ravine to-morrow, families must needs have no certain abiding place. Woman the homekeeper must of course be affected by this Bedouin manner of life. Many daughters, like Rebekah and Rachel, were shepherdesses of their father's flocks of sheep and goats. When the Israelites went down into Egypt because the fertile valley of the Nile made famines less frequent than in the land of Canaan, they were somewhat ashamed, we are told, of the fact that they were shepherds, on account of Egyptian prejudices against that occupation, but in their native country they were proud of their occupation, and rather looked down upon merchantmen. The hated "Canaanite" became the synonym for "trafficker." It was the later exigencies of exile and dispersion that forced the Jews to buy and sell, and right well did they learn the lesson the world forced upon them. But in the beginning it was not so. And hence we find Israel, even after the twelve patriarchs had settled in the plains of Goshen, their Egyptian home, keeping their flocks and developing their home life in their own way in the kingdom of the Pharaohs.
Among the many notable women of Israel's heroic age, Miriam must not be forgotten. The romantic story of the hiding of her infant brother, in the rushes of the Nile, when King Pharaoh would have destroyed every Hebrew boy, is a familiar chapter. The sisterly tenderness and devotion which stationed the girl of twelve years to watch what might happen to the infant brother, to fight away wild beasts, and at length to direct the living treasure to the bosom of its own mother, is one of the best examples in literature of womanly tact and sisterly devotion.
The daughter of Pharaoh, a child of the Nile, comes down to the sacred stream to wash her garments or bathe her body in the saving water, and quickly, indeed quite willingly, falls into the well-wrought plan of Jokabed, the mother of the child Moses, and Miriam, the sister--a counterplot to that of the princess's father, and so ancient history is written with new headlines.
It is Miriam who enjoys the distinction of being the first prophetess in Israel, as her brother Moses is the first who was called a prophet, and her brother Aaron the first high priest. The part she took in leading the intractable people of Israel out of Egyptian bondage into the land of the Canaanites, must have been considerable, though according to the record she was nearing the century mark before the journeying began. As a poetess and musician, also, Miriam holds no mean place, for we are told that when her people had successfully crossed the arm of the sea, and Pharaoh's pursuing hosts had been cut off in the descending floods, Miriam organized the women into a chorus, and going before them with timbrel in her hand she led in voicing the refrain sent back in antiphonal strains to the song of the great camp, while her companions followed with timbrels and dances. This aged woman had music and patriotic fervor still present in her soul, as victory was assured to her people. The Hebrew song that grew out of this incident which is recorded in the Book of Exodus has been termed "Israel's Natal Hymn," a sort of poetic Declaration of Independence, and is far more majestic in its qualities than Moore's poem based upon the same event:
"Sound the loud timbrel; O'er Egypt's dark sea
Jehovah hath triumphed--His people are free."