Liszt’s Ballades
While speaking of Liszt’s original compositions, we must not omit his two ballades, which, though musically a little disappointing, are works of considerable magnitude and marked individuality, and possess no small degree of descriptive interest. They are in the same general form and vein as the Chopin ballades, and were evidently suggested by them, though they cannot be compared with them either for beauty or for strength.
First Ballade
The first, in B minor, is decidedly the more vigorous of the two, and the more difficult. It is based upon the pathetically tragic story of the Prisoner of Chillon, so ably told in Byron’s poem, which the player should read with care, so as to familiarize himself thoroughly with its incidents and moods. The poem tells of that nameless captive chained for life to a pillar in a rock-hewn dungeon beneath the castle of Chillon, on Lake Leman, below the surface of the lake, so that he listens day and night to the dull thunder or mournful murmur of the changeful waves above his head, as his only indication of the shifting moods of Nature in the living world, her passing smiles and storms, her slowly circling seasons as they come and go.
“A double dungeon, wall and wave
Have made—and like a living grave.
Below the surface of the lake
The dark vault lies, wherein we lay:
We heard its ripple night and day,