"Is there anything, Mary,—is there anything so beautiful as that light of eternity that rests on the figures of memory? Who that has once felt it can care for the common daylight of the present any more, or take pleasure in its prosaic groups?"
"You'll certainly catch cold standing in that wet grass; do come in and let me shut the blinds," she said, for she had found cheerful lamplight the best corrective for his vagaries.
So he came in and sat in his special arm-chair, and they chatted about miscellaneous village topics for an hour. The standpoint from which they canvassed Plainfield people and things was a peculiarly outside one. Their circle of two was like a separate planet from which they observed the world. Their tone was like, and yet quite unlike, that in which a long-married couple discuss their acquaintances; for, while their intellectual intimacy was perfect, their air expressed a constant mutual deference and solicitude of approbation not to be confounded with the terrible familiarity of matrimony; and at the same time they constituted a self-sufficient circle, apart from the society around them, as man and wife cannot. Man and wife are so far merged as to feel themselves a unit over against society. They are too much identified to find in each other that sense of support and countenance which requires a feeling of the exteriority of our friend's life to our own. If these two should marry, they would shortly find themselves impelled to seek refuge in conventional relations with that society of which now they were calmly independent.
At length Mr. Morgan rose and threw open the blinds. The radiance of the full harvest-moon so flooded the room that Miss Eood was fain to blow out the poor lamp for compassion. "Let us take a walk," he said.
The streets were empty and still, and they walked in silence, spelled by the perfect beauty of the evening. The dense shadows of the elms lent a peculiarly rich effect to the occasional bars and patches of moonlight on the street floor; the white houses gleamed among their orchards; and here and there, between the dark tree-stems, there were glimpses of the shining surface of the broad outlying meadows, which looked like a surrounding sea.
Miss Rood was startled to see how the witchery of the scene possessed her companion. His face took on a set, half-smiling expression, and he dropped her arm as if they had arrived at the place of entertainment to which he had been escorting her. He no longer walked with measured pace, but glided along with a certain stealthiness, peering on this side and that down moony vistas and into shadow-bowers, as if half-expecting, if he might step lightly enough, to catch a glimpse of some sort of dream-people basking there.
Nor could Miss Rood herself resist the impression the moony landscape gave of teeming with subtle forms of life, escaping the grosser senses of human beings, but perceptible by their finer parts. Each cosy nook of light and shadow was yet warm from some presence that had just left it. The landscape fairly stirred with ethereal forms of being beneath the fertilizing moon-rays, as the earth-mould wakes into physical life under the sun's heat. The yellow moonlight looked warm as spirits might count warmth. The air was electric with the thrill of circumambient existence. There was the sense of pressure, of a throng. It would have been impossible to feel lonely. The pulsating sounds of the insect world seemed the rhythm to which the voluptuous beauty of the night had spontaneously set itself. The common air of day had been transmuted into the atmosphere of reverie and Dreamland. In that magic medium the distinction between imagination and reality fast dissolved. Even Miss Bood was conscious of a delightful excitement, a vague expectancy. Mr. Morgan, she saw, was moved quite beyond even his exaggerated habit of imaginative excitement. His wet, shining, wide-opened eyes and ecstatic expression indicated complete abandonment to the illusions of the scene.
They had seated themselves, as the concentration of the brain upon imaginative activity made the nerves of motion sluggish, upon a rude bench formed by wedging a plank between two elms that stood close together. They were within the shadow of the trees, but close up to their feet rippled a lake of moonlight. The landscape shimmering before them had been the theatre of their fifty years of life. Their history was written in its trees and lawns and paths. The very air of the place had acquired for them a dense, warm, sentient feeling, to which that of all other places was thin and raw. It had become tinctured by their own spiritual emanations, by the thoughts, looks, words and moods of which it had so long received the impression. It had become such vitalized air, surcharged with sense and thought, as might be taken to make souls for men out of.
Over yonder, upon the playground, yet lingered the faint violet fragrance of their childhood. Beneath that elm a kiss had once touched the air with a fire that still warmed their cheeks in passing. Yonder the look of a face was cut on the viewless air as on marble. Surely, death does but touch the living, for the dead ever keep their power over us; it is only we who lose ours over them. Each vista of leafy arch and distant meadow framed in some scene of their youth-time, painted in the imperishable hues of memory that borrow from time an ever richer and more glowing tint. It was no wonder that to these two old people, sitting on the bench between the elms, the atmosphere before them, saturated with associations, dense with memories, should seem fairly quivering into material forms, like a distant mist turning to rain.
At length Miss Rood heard her companion say, in a whisper of tremulous exultation, "Do you know, Mary, I think I shall see them very soon."