"Because you're so sweet, you goosey, of course."

But, in truth, any such mode of accounting for Henry's favourable comment on her appearance was quite unnecessary. Laura, with her petite, plump figure, sloe-black eyes, quick in moving, curly head, and dark, clear cheeks, carnation-tinted, would have been thought by many quite as charming a specimen of American girlhood as the stately pale brunette who swayed her brother's affections.

"Come for a walk, chicken! It is much too pretty a night to go indoors," he said.

"Yes, and furnish ears for Madeline's praises, with a few more reflected compliments for pay, perhaps," she replied, contemptuously. "Besides," she added, "I must go into the house and keep father company. I only came out to cool off after baking the cake. You'd better come in too. These moonlight nights always make him specially sad, you know."

The brother and sister had been left motherless not long before, and Laura, in trying to fill her mother's place in the household, so far as she might, was always looking out that her father should have as little opportunity as possible to brood alone over his companionless condition.


CHAPTER II.

That same night toward morning Henry suddenly awoke from a sound sleep. Drowsiness, by some strange influence, had been completely banished from his eyes, and in its stead he became sensible of a profound depression of spirits. Physically, he was entirely comfortable, nor could he trace to any sensation from without either this sudden awakening or the mental condition in which he found himself. It was not that he thought of anything in particular that was gloomy or discouraging, but that all the ends and aims, not only of his own individual life, but of life in general, had assumed an aspect so empty, vain, and colourless, that he felt he would not rise from his bed for anything existence had to offer. He recalled his usual frame of mind, in which these things seemed attractive, with a dull wonderment that so baseless a delusion should be so strong and so general. He wondered if it were possible that it should ever again come over him.

The cold, grey light of earliest morning, that light which is rather the fading of night than the coming of day, filled the room with a faint hue, more cheerless than pitchiest darkness. A distant bell, with slow and heavy strokes, struck three. It was the dead point in the daily revolution of the earth's life, that point just before dawn, when men oftenest die; when surely, but for the force of momentum, the course of nature would stop, and at which doubtless it will one day pause eternally, when the clock is run down. The long-drawn reverberations of the bell, turning remoteness into music, full of the pathos of a sad and infinite patience, died away with an effect unspeakably dreary. His spirit, drawn forth after the vanishing vibrations, seemed to traverse waste spaces without beginning or ending, and aeons of monotonous duration. A sense of utter loneliness—loneliness inevitable, crushing, eternal, the loneliness of existence, encompassed by the infinite void of unconsciousness—enfolded him as a pall. Life lay like an incubus on his bosom. He shuddered at the thought that death might overlook him, and deny him its refuge. Even Madeline's face, as he conjured it up, seemed wan and pale, moving to unutterable pity, powerless to cheer, and all the illusions and passions of love were dim as ball-room candles in the grey light of dawn.

Gradually the moon passed, and he slept again.