Five minutes, perhaps, I waited there in the arbor, where we had been sitting, and then, at a light step on the grass, looked up to see Edith with eyes of smiling challenge standing before me in modern dress. I have seen her in a hundred varieties of that costume since then, and have grown familiar with the exhaustless diversity of its adaptations, but I defy the imagination of the greatest artist to devise a scheme of color and fabric that would again produce upon me the effect of enchanting surprise which I received from that quite simple and hasty toilet.
I don't know how long I stood looking at her without a thought of words, my eyes meanwhile no doubt testifying eloquently enough how adorable I found her. She seemed, however, to divine more than that in my expression, for presently she exclaimed:
"I would give anything to know what you are thinking down in the bottom of your mind! It must be something awfully funny. What are you turning so red for?"
"I am blushing for myself," I said, and that is all I would tell her, much as she teased me. Now, at this distance of time I may tell the truth. My first sentiment, apart from overwhelming admiration, had been a slight astonishment at her absolute ease and composure of bearing under my gaze. This is a confession that may well seem incomprehensible to twentieth-century readers, and God forbid that they should ever catch the point of view which would enable them to understand it better! A woman of my day, unless professionally accustomed to use this sort of costume, would have seemed embarrassed and ill at ease, at least for a time, under a gaze so intent as mine, even though it were a brother's or a father's. I, it seems, had been prepared for at least some slight appearance of discomposure on Edith's part, and was consciously surprised at a manner which simply expressed an ingenuous gratification at my admiration. I refer to this momentary experience because it has always seemed to me to illustrate in a particularly vivid way the change that has taken place not only in the customs but in the mental attitude of the sexes as to each other since my former life. In justice to myself I must hasten to add that this first feeling of surprise vanished even as it arose, in a moment, between two heart-beats. I caught from her clear, serene eyes the view point of the modern man as to woman, never again to lose it. Then it was that I flushed red with shame for myself. Wild horses could not have dragged from me the secret of that blush at the time, though I have told her long ago.
"I was thinking," I said, and I was thinking so, too, "that we ought to be greatly obliged to twentieth-century women for revealing for the first time the artistic possibilities of the masculine dress."
"The masculine dress," she repeated, as if not quite comprehending my meaning. "Do you mean my dress?"
"Why, yes; it is a man's dress I suppose, is it not?"
"Why any more than a woman's?" she answered rather blankly. "Ah, yes, I actually forgot for a moment whom I was talking to. I see; so it was considered a man's dress in your day, when the women masqueraded as mermaids. You may think me stupid not to catch your idea more quickly, but I told you I was dull at history. It is now two full generations since women as well as men have worn this dress, and the idea of associating it with men more than women would occur to no one but a professor of history. It strikes us merely as the only natural and convenient solution of the dress necessity, which is essentially the same for both sexes, since their bodily conformation is on the same general lines."
[CHAPTER] VII.
A String Of Surprises.