He unlocked a little box at the side of my seat, collected the price of three hours' reading at five cents an hour, and went on down the aisle. Presently I heard the tinkle of a bell from the box which he had unlocked. Following the example of others around me, I took from it a sort of two-pronged fork with the tines spread in the similitude of a chicken's wishbone. This contrivance, which was attached to the side of the car by a cord, I proceeded to apply to my ears, as I saw the others doing.
For the next three hours I scarcely altered my position, so completely was I enthralled by my novel experience. Few persons can fail to have made the observation that if the tones of the human voice did not have a charm for us in themselves apart from the ideas they convey, conversation to a great extent would soon be given up, so little is the real intellectual interest of the topics with which it is chiefly concerned. When, then, the sympathetic influence of the voice is lent to the enhancement of matter of high intrinsic interest, it is not strange that the attention should be enchained. A good story is highly entertaining even when we have to get at it by the roundabout means of spelling out the signs that stand for the words, and imagining them uttered, and then imagining what they would mean if uttered. What, then, shall be said of the delight of sitting at one's ease, with closed eyes, listening to the same story poured into one's ears in the strong, sweet, musical tones of a perfect mistress of the art of story-telling, and of the expression and excitation by means of the voice of every emotion?
When, at the conclusion of the story, the train boy came to lock up the box, I could not refrain from expressing my satisfaction in strong terms. In reply he volunteered the information that next month the cars for day trips on that line would be further fitted up with phonographic guide-books of the country the train passed through, so connected by clock-work with the running gear of the cars that the guide-book would call attention to every object in the landscape, and furnish the pertinent information—statistical, topographical, biographical, historical, romantic, or legendary, as it might be—just at the time the train had reached the most favorable point of view. It was believed that this arrangement (for which, as it would work automatically and require little attendance, being used or not, according to pleasure, by the passenger, there would be no charge) would do much to attract travel to the road. His explanation was interrupted by the announcement in loud, clear, and deliberate tones, which no one could have had any excuse for misunderstanding, that the train was now approaching the city of my destination. As I looked around in amazement to discover what manner of brakeman this might be whom I had understood, the train boy said, with a grin, “That's our new phonographic annunciator.”
Hamage had written me that he would be at the station, but something had evidently prevented him from keeping the appointment, and as it was late, I went at once to a hotel and to bed. I was tired and slept heavily; once or twice I woke up, after dreaming there were people in my room talking to me, but quickly dropped off to sleep again. Finally I awoke, and did not so soon fall asleep. Presently I found myself sitting up in bed with half a dozen extraordinary sensations contending for right of way along my backbone. What had startled me was the voice of a young woman, who could not have been standing more than ten feet from my bed. If the tones of her voice were any guide, she was not only a young woman, but a very charming one.
“My dear sir,” she had said, “you may possibly be interested in knowing that it now wants just a quarter of three.”
For a few moments I thought—well, I will not undertake the impossible task of telling what extraordinary conjectures occurred to me by way of accounting for the presence of this young woman in my room before the true explanation of the matter occurred to me. For, of course, when my experience that afternoon on the train flashed through my mind, I guessed at once that the solution of the mystery was in all probability merely a phonographic device for announcing the hour. Nevertheless, so thrilling and lifelike in effect were the tones of the voice I had heard that I confess I had not the nerve to light the gas to investigate till I had indued my more essential garments. Of course I found no lady in the room, but only a clock. I had not particularly noticed it on going to bed, because it looked like any other clock, and so now it continued to behave until the hands pointed to three. Then, instead of leaving me to infer the time from the arbitrary symbolism of three strokes on a bell, the same voice which had before electrified me informed me, in tones which would have lent a charm to the driest of statistical details, what the hour was. I had never before been impressed with any particular interest attaching to the hour of three in the morning, but as I heard it announced in those low, rich, thrilling contralto tones, it appeared fairly to coruscate with previously latent suggestions of romance and poetry, which, if somewhat vague, were very pleasing. Turning out the gas that I might the more easily imagine the bewitching presence which the voice suggested, I went back to bed, and lay awake there until morning, enjoying the society of my bodiless companion and the delicious shock of her quarter-hourly remarks. To make the illusion more complete and the more unsuggestive of the mechanical explanation which I knew of course was the real one, the phrase in which the announcement of the hour was made was never twice the same.
Right was Solomon when he said that there was nothing new under the sun. Sardanapalus or Semiramis herself would not have been at all startled to hear a human voice proclaim the hour. The phonographic clock had but replaced the slave whose business, standing by the noiseless water-clock, it was to keep tale of the moments as they dropped, ages before they had been taught to tick.
In the morning, on descending, I went first to the clerk's office to inquire for letters, thinking Hamage, who knew I would go to that hotel if any, might have addressed me there. The clerk handed me a small oblong box. I suppose I stared at it in a rather helpless way, for presently he said: “I beg your pardon, but I see you are a stranger. If you will permit me, I will show you how to read your letter.”
I gave him the box, from which he took a device of spindles and cylinders, and placed it deftly within another small box which stood on the desk. Attached to this was one of the two-pronged ear-trumpets I already knew the use of. As I placed it in position, the clerk touched a spring in the box, which set some sort of motor going, and at once the familiar tones of Dick Haulage's voice expressed his regret that an accident had prevented his meeting me the night before, and informed me that he would be at the hotel by the time I had breakfasted.
The letter ended, the obliging clerk removed the cylinders from the box on the desk, replaced them in that they had come in, and returned it to me.