As the Spawer sits and ponders over these things, trying to assimilate them by a sort of spontaneous process with his own state—and find one common key which shall fit all the varied wards of the locks of life—the worshippers begin to assemble. Mrs. Hesketh, holding her youngest by the hand and piloting it (whether a boy or a girl does not exactly make itself apparent to a superficial observation) up the aisle in front of her, at the manifest peril of falling over it, and trying by jerks of the arm to shake its stare off the Spawer, which, however, requires a stronger arm. They disappear into a pew somewhere under the lectern, where much sibilant whispering begins to issue immediately upon their incarceration, as though they were cooking something; and every second the big forehead of the infant, surmounted by its sailor hat, shows itself as far as the eyebrows over the pew back and goes down suddenly, as though its supports had been sundered. Old Mary Bateman shivers up the aisle too, on the far third-class side, with her brown charity shawl drawn tightly over her shoulders and clasped into the pit of her stomach by invisible hands wrapped up in it, as though she were cold and hungry, and the pinched, alms-house look of humility about the lips of her bowed face befitting a pauper. Being entirely dependent for everything in life upon the mercy of God, and having a very proper value and appreciation of it—which is too infrequently the case with people able to earn their own living—she has long since discarded pride as an unmeaning and useless appanage, and walks humbly before the Lord and her fellow-beings (if they will kindly pardon the liberty of her calling them such) as the devoutest Christian might desire. At Sacrament she will wait until the last lip has left the cup, and only presume to approach the table when sought out and summoned there by the priestly forefinger. And after death she will go underground in a nice deal coffin, as being cheaper and more perishable, so that she may the sooner mix her dust with the soil and make room for somebody else when the time requires. After her comes Mrs. Makewell, who deems it advisable to show herself occasionally beneath the priestly eye, as a reminder that she is still able to go out charing ("God be praised, your Rivrence") at eighteenpence a day, with her beer; also as a midwife when requested; and will give his Reverence judicious samples of her bronchitis during pauses in the service, knowing that his Reverence hears every cough and scrape and clearing, and bestows port wine upon the worthy. While she is trying to fasten herself into her pew there are sounds of a massive sneck being lifted somewhere round the chancel where the vestry is, and the scuffle of loose boots that are too big for the control of the feet that don't fit them echoing over a flagged floor. This, the Spawer knows by experience, is the choir. He even sees them peering round from the far end of the choir stalls and pushing each other out into the chancel, and hears the strident hiss of much whispering, which at closer quarters would resolve itself into:

"See-ye! Old Moother Bateman! old Moother Bateman!" with an unpublishable effusion upon the subject of this unfortunate from the pen (or the lips, as he would n't know what to do with a pen if he had it) of the Ullbrig bard. "Gie ower shovin', ye young divvle." "Look at Spawer fro' Dixon's, like a stuffed monkey in a menagerie." "Let 's chuck a pay [pea] at 'im."

The sound of the massive latch resounding acutely through the empty building a second time puts a death-like stop to the chancel activity, and an august step heard passing over the flagstones in lonely majesty of silence announces beyond all doubt that his Reverence has arrived. At the same moment the Spawer, with a strange, nervous fluttering about his heart—as though he were about to face some great audience in his musical capacity—hears the whispering echo of light footsteps going up the winding stairs of stone from the door in the porch to the organ loft. If he had been a gargoyle, or a sculptured effigy of Peter, his ears would have heard that tread, and known the maker of it. Every step of the way he followed her progress. Now she had two more left, and then the loft door. The two were taken, and the loft door creaked on its hinges. She was in the church and behind him. By an instinct as unerring as that which guides a homing bird he felt, with a painful throbbing of the throat, the fact of his recognition. He knew, almost as well as if he had been looking at the scene from some high point of vantage—higher even than the girl's—that she was gazing down upon him from the organ loft. And with this consciousness was poured into him from a vial more bitter the knowledge of her sudden start; the constrained tightening of her lips; the light suddenly extinguished in her eye at sight of him; all her being standing still like a human apostrophe and saying:

"He here!"

Yes; he was here. Miserable wretch that he was; he was here.

Into his shoulders he drew his neck; wedged his head down firmly, and sat without moving in the corner of his pew. On other Sundays he would have looked round at her and smiled his greeting upward. But not now. He dared not risk any such greeting now, lest he should look to find the girl's face turning from him. Without any shadow of doubt, their alienation was complete. He who had been regarded as a friend at the first was come to be regarded as a persecutor now. Even his presence there this morning was a persecution to the girl; a menace to her. She could trust him no longer. She suspected his intentions of dishonor, and was striving to hold at arm's length a man who hung about the skirts of her encouragement. He renewed his suspended breathing with a measure of relief when he heard the sliding rattle of the manual doors, and knew that her eyes were removed from him at last.

And then he knew that another figure had gone up to the organ loft with the girl, and was contemplating him from on high; a silent, spectral figure, whose flesh seemed constituted of pale moonlight; and whose garb was the shadow of night.

CHAPTER XXXIII

"Ha! this is beautiful of you," his Reverence said, coming up to the Spawer after the service and enfolding his hand in that warm, balmy, beneficent softness of palm. "To come three miles on a morning like this for the sake of worshipping in the true Faith. Beautiful! beautiful! quite an example to our Ullbrig laggards, it 'll be talked of. Ullbrig has only three yards to come ... and it does n't come those, as you see. When Ullbrig comes, look for the Millennium or port wine—generally port wine. There 's no mistaking the symptoms. Mrs. So-and-So's liver 's no better. Put on your best black dress and go to church this morning, Janie; a bottle of his reverence's port would do her good. Take care and sit where he can see you and sing as loud as you can. Show him how capitally you can find all your places, and don't stare about you when he 's preaching. That 's our Ullbrig way. Go to church to get something out of it if you can. 'His reverence gets paid for preaching; we ought to get something for going. That 's only fair.' See what his reverence the vicar 's to put up with in a place like this. Ex nihilo nihil fit. That 's our motto; which, being rendered according to Ullbrig theologians, means: Nothing done without good value given for it in return. If Nonconformity had n't its tea-urns and its bath buns it would n't hold sway over Ullbrig another twenty-four hours. Plenty of hot tea and big bath buns, with plenty of flies and currants in 'em; that 's the way to subjugate the heathen bucolic beast. Music's no good—any more than the Church. We 're dogs with bad names to start with, both of us. Musicians are unscrupulous, dissipated vagabonds, such as you, that live by their wits, as everybody knows. Vicars of the Established Church are children of Satan and prophets of Baal. We 're both in the same boat. And," said he, picking up the dismembered mortar-board from its place by the water-bottle, "this morning we shall have to swim for it. You can't go back to Cliff Wrangham in the teeth of a storm like this that 's brewing."

"It 's awfully good of you..." the Spawer began. "But really, I counted the risks when I came. I 'm ready to take my chance."