*Wagner, P. Einführung in die gregorianischen Melodien. Freiburg (Schweiz), Veith, 1895.
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Winterfeld. Das evangelische Kirchengesang, 3 vols. Leipzig, Breitkopf & Haertel, 1845.
Winterfeld. Johannes Gabrieli und sein Zeitalter, 2 vols. Berlin, Schlesinger, 1834.
*Wiseman. Lectures on the Offices and Ceremonies of Holy Week. Baltimore, Kelly, 1850.
[419]
INDEX
[A] [B] [C] [D] [E] [F] [G] [H] [I] [J] [K] [L] [M] [N] [O] [P] Q [R] [S] [T] [U] [V] [W] X Y Z
A
Act of Supremacy, [325], [328], [329]. Agathon, pope, [110]. Agnus Dei, [90]. Ahle, [266]. Ainsworth, psalm-book of, [376]. Altenburg, [266]. Ambrose, St., [58]; introduces psalm singing into Milan, [66]. Anerios, the, [133], [168]. Anthem, Anglican, [346]; its different forms, [348]; periods and styles, [353]. Aria, Italian, origin of, [190]; its supremacy in the seventeenth and eighteenth centuries, [191]; its introduction into church music in Italy, [193], [269]; influence upon German church music, [267], [269], [318]; adoption into the cantata, [273]; into the Passion music, [276], [280]. Art, Catholic conception of religious, [70], [174]; Calvinist and Puritan hostility to art in connection with worship, [363], [369], [372]. Asor, [23]. Assyrians, religious music among the, [12]. Attwood, [354]. Augustine, missionary to England, [117]. Augustine, St., quoted, [51], [67]; traditional author, with St. Ambrose, of the Te Deum, [58]; effect of music upon, [372].