F
Faber, [381]. Faunce, quoted, [403]. Female voice not employed in ancient Hebrew worship, [29]; similar instances of exclusion in the modern Church, [30]. Festivals, primitive, [4]; in the early Church, [65]. Flagellants, [231]. Folk-song, as possible origin of some of the ancient psalm melodies, [31]; German religious, before the Reformation, [228] et seq.; German secular, transformed into religious, [232]; folk-tunes as sources of the Lutheran choral, [261]. Formula Missae, Luther’s, [245]. Franc, [360]. Franck, [218]. Frank, [266]. Frauenlob, [229]. Frescobaldi, [292]. Froberger, [292]. Fuller, quoted, [375].
G
Gabrieli, Giovanni, [170]. Gabrielis, the, [93], [133], [170]. Galilei, [188]. Garrett, [355]. Gerhardt, [266], [311]. Gevaert, works on the origins of the Gregorian chant, quoted, [109]. Gibbons, [350], [352]. Gibbons, Cardinal, quoted, [75], [84]. Gigout, [217]. Gloria in excelsis, [58], [87]. Glossolalia, [44]. Goss, [355]. Gottfried von Strassburg, [229]. Goudimel, [154], [360]. Gounod, mass music of, [199], [200], [213], [216]. Gradual, [88]. Greeks, religious music among the, [14], [19]; Greek influence upon early Christian worship, [42], [63], [65]; relation of Greek music to Christian, [52]. Green, quoted, [117]. Greene, [354]. Gregorian Chant, see Chant, Catholic ritual. Gregory I., pope, his traditional services to the ritual chant, [107]; objections to this tradition, [108]. Gregory II., pope, [113]. Gregory III., pope, [113]. Grell, [212], [321]. Guilmant, [217].
[422]
H
Händel, [279], [297], [306], [319], [323], [354]; the “Messiah,” [307]. Hammerschmidt, [266]. Harmony, virtually unknown in ancient music, [18]; beginnings in modern music, [130]; change from mediaeval to modern, [201]. Hartmann von Aue, [229]. Hasler, [271]. Hauptmann, [321]. Havert, [212]. Haydn, mass music of, [205], [208]; “The Creation” stimulates formation of choral societies in Germany, [319]. Haves, [354]. Hazozerah, [22]. Heber, [381]. Hebrews, did not assign a superhuman source to music, [14]; their employment of music, [20]; nature and uses of instruments, [21]; ritualistic developments under David and Solomon, [24]; psalms and the method of singing them, [27]. Henry VIII., king of England, declares himself head of the English Church, [325]; not the originator of the Reformation in England, [316]; changes in policy, [328]. Hervé, [122]. Hezekiah, restoration of the temple worship by, [25]. Holmes, [381]. Hooker, author of The Laws of Ecclesiastical Polity, his defence of the music and art of the established Church, [367], [404]. Hooper, [329]. Hopkins, [355], [383]. Horder, author of The Hymn Lover, [381 n]. Hucbald, [136]. Hus, founder of Bohemian hymnody, [233]. Hymn-books, early Bohemian, [233]; first Lutheran, [249]; Catholic German, [264]; recent American, [385]. See also Psalmody. Hymns, their first appearance in Christian literature and worship, [42], [46]; Greek hymns in the early Christian Church, [56]. Hymns, Bohemian, [233]. Hymns, English and American, [379] et seq.; “uninspired” hymns not permitted by Calvin and the Puritans, [361], [373]; hymns of Watts and the Wesleys, [379]; beauty and range of the later English and American hymnody, [380]. Hymns, Latin, [60], [235]. Hymns, Lutheran, historic importance of, [225], [303]; introduction into the liturgy, [247]; first hymn-books, [249]. See also Luther. Hymns, pre-Reformation German, their history and character, [228]; not liturgic, [240]. Hymns, Syrian, [57]. Hymn-tunes, English, [382]. Hymn-tunes, German, see Choral.
[423]
I
Ignatius, St., traditional introduction of chanting into the Church by, [48]. Ildefonso, St, [118]. Instruments, how first used in worship, [3], [10]; their use in Egyptian ceremonies, [12]; among the Greeks, [14]; among the Hebrews, [21], [32]; not used in the early Church, [54].