Naninis, the, [168]. Neale, quoted on the Greek hymns, [59]. Nebel, [22]. Netherlanders, age of the, [149]. Neukomm, [207]. Newman, [381]. Newton, [381], [387]. Nicholas I., pope, [122]. Notker Balbulus, reputed founder of the Sequence, [121].
O
Oblation of the Host, [88]. Offertory, [88]. Opera, invention of, [186], [188]; ideal and form of early Italian, [190]; opera and church, [193]. Oratorio, its rise in Germany and effect on church music, [319]. Organ music, its beginnings in Venice, [169], [171]; in the German Protestant Church, [269], [270], [290]; Bach’s organ works, see Bach. Organs, Puritan hatred of, [365], [370]; destroyed by the Puritans, [371]. Organum, [136]. Osmund, bishop of Salisbury, [331].
P
Pachelbel, [292]. Palestrina, [93], [133], [151]; the Mass of Pope Marcellus, [152], [154]; myth of the rescue of church music by Palestrina, [152]; compared with Lassus, [173]. “Palestrina style,” [158]; tonality, [158]; construction, [159]; tone color, how produced, [166]; aesthetic and religious effect, [173], [177]; limits of characterization, [178]. Palmer, [381]. Parallelism in Hebrew poetry, [28]. Parochial mode of performing the Anglican service, [335]. Passion music, German, [270], [272]; origin and early development, [274]; from Schütz to Bach, Hamburg Passions, [280]. Passion play, [274]. Pater, quoted, [400]. Paul, St., his injunction in regard to song, [42]; allusion to the glossolalia, [44]. Pergolesi, [213]. Philo, [48]. Pietism, its effect on church music, [266], [319]. Plain Song, see Chant, Catholic ritual; also Chant, Anglican. Plato, his opinion of the purpose of music, [14]. Pliny, his report to Trajan concerning Christian singing, [47]. Plutarch on the function of music, [15]. “Pointing,” [341]. Post-Communion, [90]. Prayer Book, see Common Prayer, Book of. Preface, [88]. Psalmody, Puritan, [369], [373]; methods of singing, [377], [405]. Psalms, how sung in the ancient Hebrew worship, [27]; adopted by the Christians, [41]; antiphonal psalmody in Milan in the fourth century, [66]; in Rome in the fifth century, [67]; in the Church of England, see Chant, Anglican; metrical psalm versions, see Psalmody. Psalter, Geneva, origin of, [359]. Psaltery, [23]. Purcell, [347], [352]. Puritanism, [324], [327], [358], [364] et seq. Puritans, their hostility to artistic music, [365] et seq.; their attacks upon episcopacy and ritualism, [366], [369]; their ravages in the churches, [371]; their tenets and usages maintained after the Restoration, [372]; Puritan music in America, [390].
[425]
R
Recitative, [188]. Reformation in England, its nature, causes, and progress, [325] et seq. Reinken, [295]. Reinmar der Zweter, [229]. Renaissance, its influence upon musical development, [185], [187], [272]; parallel between Renaissance religious painting and Catholic Church music, [194]. Requiem Mass, [85]. Rheinberger, [212]. Richter, [321]. Ridley, [329]. Robert, king of France, [147]. Romanus, [119]. Rossini, religious music of, [207], [213].
S
Sachs, [229]. St. Cecilia Society, [180], [212]. St. Gall, convent of, as a musical centre, [118]. Saint-Säens, [217]. Sanctus, [88]. Savages, religious sentiment among, [2]; methods of religious expression, [3]. Schaff, quoted, [44]. Scheidt, [292]. Schleiermacher, [321]. Schola Cantorum, [181], [288 n]. Schop, [266]. Schubert, masses of, [199], [200], [211]. Schubiger, quoted, [119]. Schütz, greatest German composer before Bach and Händel, [277]; his education and musical methods, [277]; Symphoniae sacrae, [278]; dramatic religious works, [278]; Passion settings, [278]; his isolated musical position, [279]. Sechter, [207]. Seminaries, theological, and church music, [406]. Senfl, [264]. Sequence, [88]; origin and early character, [121]. “Service,” Anglican, [345]. Shairp, quoted, [398]. Shophar, [22]. Sistrum, [23]. Six Articles, [328]. Smart, [355], [383]. Spencer, Herbert, quoted, [5], [15]. Speratus, [249]. Spitta, quoted, [322]. Stainer, [355]; quoted, [342]. Stanford, [355]. Sternhold and Hopkins, psalm version of, [375], [377]. Stile famigliare, [151], [158], [159]. Sullivan, [355], [383]. Swelinck, [292]. Symbolism, in ancient music, [11], [14]. Synagogue, worship in the ancient, [33]; modified by the Christians, [41]. Synesius, [57].