A Briton, but with an Italian name,—
Who ceremoniously improved the time
With some cadenzas—aiming the sublime—
On one of Broadwood’s fine old instruments;
Then gently introduced his rudiments
(Or some-one-else’s) in the key of “C,”
The scale of which Jane master’d dexterously;
Then, in due time, proceeded on to “G,”
And conquer’d the sharp seventh most famously;
Engaging now in “sharps” and then in “flats,”—