"Nothing," said the genie. "You must die."

TO BE CONTINUED.

These last words were emblazoned in a beautiful scroll of Dinarzade's most perfect designing.

The editor of the "Friend of the City" was not accustomed, himself, to read manuscripts, proofs, or revises, unless the articles were his own. He first saw the articles of the sub-editor and contributors in plate-proof. When the plate-proofs of this number were brought to him he began at once on the story of the merchant. He read it with unaffected, not to say unwonted, interest. When he turned the last page, he said to himself, "However will she wind it up in so few lines?" And when he came to the masterpiece of Scheherezade's success and of Dinarzade's art, he laid down the sheets with a mingled feeling not easily described. His cruelty was foiled. But of that he thought little. His curiosity was piqued. A jaded editor of twenty-three years' experience was curious for a dénouement. But of this he thought little. For not one moment did he think of taking the author's blood. He saw too clearly the future of the magazine. In short, every other emotion sank within him before the profound awe which overwhelmed his being. The editor looked down the ages. He saw that his magazine might last forever. For in that series of plate-proofs the SERIAL was born.

From that moment the position of the lovely Scheherezade and her accomplished sister Dinarzade on that magazine was secure. That single serial ran twenty-seven years, through one thousand and one numbers, and was known through the East as "Alif-Laila." Long before it ended, other serials had been begun, and no citizen of Delhi or the neighborhood ever subscribed for the "Friend of the City" but he continued his subscription for generation after generation.

The tales of Scheherezade have been collected, as is well known, in endless editions, and translated into all languages. The languages of the East are so little understood that the names of the magazines have in time been transferred to the two editors. The "Friend of the City" in Arabic is "Shahriar," and that name in varied spelling is generally given to the editor of that print. His brother, by a similar oversight, is usually called "Shahzeban," which word means the "King of the Age."

But these names are forgotten, as they should be. The name which is remembered is that of the lovely and virtuous Scheherezade, the savior of her country, who, to her other titles to the gratitude of men, adds this,—that she invented the Serial.

A CIVIL SERVANT.