| CHAP. | PAGE | |
| I. | His Boyhood and Early Life | [1] |
| II. | Harvard College | [15] |
| III. | Literary Work in College | [25] |
| IV. | Concord | [43] |
| V. | Boston in the Forties | [55] |
| VI. | The Brothers and Sisters | [70] |
| VII. | A Man of Letters | [78] |
| VIII. | Lowell as a Public Speaker | [102] |
| IX. | Harvard Revisited | [125] |
| X. | Lowell’s Experience as an Editor | [147] |
| XI. | Politics and the War | [170] |
| XII. | Twenty Years of Harvard | [192] |
| XIII. | Mr. Lowell in Spain | [215] |
| XIV. | Minister To England | [237] |
| XV. | Home Again | [262] |
| Index | [287] |
ILLUSTRATIONS
| James Russell Lowell | Frontispiece |
| From the crayon by S.W. Rowse in the possession of Professor Charles Eliot Norton. | Page |
| Entrance to Elmwood | facing [4] |
| From a photograph by Pach Brothers. | |
| Rev. Charles Lowell | [8] |
| From a painting in the possession of Charles Lowell, Boston. | |
| The Pasture, Elmwood | facing [12] |
| From a photograph by Pach Brothers. | |
| Edward Tyrrel Channing | facing [18] |
| From the painting by Healy in Memorial Hall, Harvard University. | |
| Nathan Hale | facing 36 |
| From a photograph by Black. | |
| Lowell’s Poem to his College Class | facing 50 |
| From a printed copy lent by Mrs. Elizabeth Scates Beck, Germantown, Pa. | |
| Facsimile of Programme of Valedictory Exercises of the Harvard Class of 1838 | facing 52 |
| Lent by Mrs. Elizabeth Scates Beck, Germantown, Pa. | |
| James Russell Lowell | facing 74 |
| From the crayon by William Page in the possession of Mrs. Charles F. Briggs, Brooklyn, N.Y. | |
| Maria Lowell | facing [78] |
| From the crayon by S. W. Rowse in the possession of Miss Georgina Lowell Putnam, Boston. | |
| Charles F. Briggs | facing 84 |
| From an ambrotype by Brady lent by Mrs. Charles F. Briggs, Brooklyn, N.Y. | |
| Facsimile Contents Page of the Boston Miscellany. (The Authors’ names are in the handwriting of Nathan Hale) | facing 86 |
| Facsimile of Lowell’s List of Friends to whom he presented copies of Conversations on the Old Poets. “The Don” was Robert Carter | facing 92 |
| From the original MS. owned by General James Lowell Carter, Boston. | |
| James Russell Lowell | facing 96 |
| From a daguerreotype, taken in Philadelphia in 1844, owned by E.A. Pennock, Boston. | |
| John Lowell, Jr. | facing 112 |
| From a painting by Chester Harding in the possession of Augustus Lowell, Boston. | |
| John Holmes, Estes Howe, Robert Carter, and James Russell Lowell | facing 114 |
| From a photograph by Black owned by General James Lowell Carter, Boston. | |
| Cornelius Conway Felton | facing 134 |
| From a photograph lent by Miss Mary Sargent, Worcester, | |
| Mass. | |
| Elmwood | facing 138 |
| From a photograph. | |
| James T. Fields | facing 150 |
| From the photograph by Mrs. Cameron. | |
| Moses Dresser Phillips | facing 154 |
| From a daguerreotype kindly lent by his daughter, Miss Sarah F. Phillips, West Medford, Mass. | |
| Oliver Wendell Holmes | facing 158 |
| From a photograph taken in 1862. | |
| Facsimile of A Fable for Critics Proof-sheet with Lowell’s Corrections | facing 162 |
| Kindly lent by Mrs. Charles F. Briggs, Brooklyn, N.Y. | |
| William Wetmore Story | facing 164 |
| From a photograph by Waldo Story lent by Miss Ellen Eldredge, Boston. | |
| James Russell Lowell | facing 168 |
| From a photograph taken by Dr. Holmes in 1864. The | |
| print is signed by both Holmes and Lowell, and is kindly lent by Charles Akers, New York, N.Y. | |
| Sydney Howard Gay | facing 178 |
| From a photograph lent by Francis J. Garrison, Boston. | |
| Elmwood | facing 182 |
| From a photograph by Miss C.E. Peabody, Cambridge, Mass. | |
| Robert Gould Shaw | facing 184 |
| From a photograph lent by Francis J. Garrison, Boston. | |
| William Lowell Putnam | facing 184 |
| From the crayon by S.W. Rowse in the possession of Miss Georgina Lowell Putnam, Boston. | |
| Charles Russell Lowell | facing 184 |
| From the crayon by S.W. Rowse in the possession of Miss Georgina Lowell Putnam, Boston. | |
| James Jackson Lowell | facing 184 |
| From a photograph kindly lent by Miss Georgina Lowell Putnam, Boston. | |
| Francis James Child | facing 186 |
| From a photograph lent by Mrs. Child. | |
| Henry Wadsworth Longfellow | facing 188 |
| From a photograph, taken in 1860, lent by Miss Longfellow. | |
| Asa Gray | facing 196 |
| From the bronze tablet by Augustus St. Gaudens in Harvard University. | |
| Louis Agassiz | facing 198 |
| From a photograph lent by Francis J. Garrison, Boston. | |
| Charles Eliot Norton | facing 202 |
| From a photograph taken in 1870. | |
| The Hall at Elmwood | facing 210 |
| From a photograph by Mrs. J.H. Thurston, Cambridge. | |
| Whitby | facing 240 |
| From a photograph kindly lent by The Outlook Company. | |
| Thomas Hughes | facing 258 |
| From a photograph. | |
| William Page | facing 266 |
| From a photograph kindly lent by Mrs. Charles F. Briggs, Brooklyn, N.Y. | |
| James Russell Lowell in his Study at Elmwood | facing 268 |
| From a copyrighted photograph taken in the spring of 1891 by Mrs. J.H. Thurston, Cambridge. This is probably the last picture of Mr. Lowell. | |
| Room adjoining the Library at Elmwood | facing 270 |
| From a photograph by Mrs. J.H. Thurston, Cambridge. | |
| Facsimile of Letter from Mr. Lowell to Dr. Hale, November 11, 1890 | facing 274 |
| First Two and Last Two Stanzas of Mr. Lowell’s Poem My Brook | facing 284 |
| From the original MS. in the possession of the Rev. Minot J. Savage, New York, N.Y. | |
JAMES RUSSELL LOWELL
AND HIS FRIENDS
CHAPTER I
HIS BOYHOOD AND EARLY LIFE
One cannot conceive more fortunate or charming conditions than those of the boyhood and early education of James Russell Lowell. You may study the babyhood and boyhood of a hundred poets and not find one home like his. His father, the Rev. Charles Lowell, was the minister of a large parish in Boston for more than fifty years. Before James was born, Dr. Lowell had moved his residence from Boston to Cambridge, to the home which his children afterwards called Elmwood. So much of Mr. Lowell’s poetry refers to this beautiful place, as beautiful now as it was then, that even far-away readers will feel a personal interest in it.