"Eighteen-hundred and sixty-six," said John Goodrich,—"the Annus Mirabilis, celebrated for the birth of Miss Alice Francis and Mr. J. G."
"Hush, hush! Uncle Fritz wants to say something."
"We will leave the fairy tales," said poor chicken-pecked Uncle Fritz, "and begin with Benvenuto Cellini. Who has seen any of his work?"
Several of the girls who had been in Europe remembered seeing gold and silver work of Benvenuto Cellini's in the museums. Uncle Fritz told them that the little hand-bell used on his own tea-table was modelled at Chicopee, in Massachusetts, from a bell which was the design of Benvenuto Cellini; and he sent for the bell that the children might see how ingenious was the ornamentation, and how simply the different designs were connected together.
He told Alice she might read first from Vasari's account of him. Vasari's book, which the children now saw for the first time, is a very entertaining one. Vasari was himself an artist, of the generation just following Michael Angelo. He was, indeed, the contemporary of Raphael. But he is remembered now, not for his pictures, nor for his work in architecture, both of which were noted in his time, but for his lives of the most excellent painters, sculptors, and architects, which was first published in 1550. Benvenuto Cellini was born ten years before Vasari, and here is a part of Vasari's life of him.
LIFE OF BENVENUTO CELLINI.
Benvenuto Cellini, citizen of Florence, born in 1500, at present a sculptor, in his youth cultivated the goldsmith's business, and had no equal in that branch. He set jewels, and adorned them with diminutive figures, exquisitely formed, and some of them so curious and fanciful that nothing finer or more beautiful can be conceived. At Rome he made for Pope Clement VII. a button to be worn upon his pontifical habit, fixing a diamond to it with the most exquisite art. He was employed to make the stamps for the Roman mint, and there never have been seen finer coins than those that were struck in Rome at that period.
After the death of Pope Clement, Benvenuto returned to Florence, where he made stamps with the head of Duke Alessandro, for the mint, wonderfully beautiful. Benvenuto, having at last devoted himself to sculpture and casting statues, made in France many works, while he was employed at the Court of King Francis I. He afterwards came back to his native country, where he executed in metal the statue of Perseus, who cut off Medusa's head. This work was brought to perfection with the greatest art and diligence imaginable.
Though I might here enlarge on the productions of Benvenuto, who always shewed himself a man of great spirit and vivacity, bold, active, enterprising, and formidable to his enemies,—a man, in short, who knew as well how to speak to princes as to exert himself in his art,—I shall add nothing further, since he has written an account of his life and works, and a treatise on goldsmith's work as well as on casting statues and many other subjects, with more art and eloquence than it is possible for me to imitate. I shall therefore content myself with this account of his chief performances.
Benvenuto was quite proud of his own abilities as a writer. Very fortunately for us he has left his own memoirs. Here is the introduction.