"Whilst I was crawling along upon all four, one of the servants of Cardinal Cornaro knew me, and, running immediately to his master's apartment, awakened him out of his sleep, saying to him, 'My most reverend Lord, here is your jeweller, Benvenuto, who has made his escape out of the castle, and is crawling along upon all four, quite besmeared with blood.' The cardinal, the moment he heard this, said to his servants, 'Run, and bring him hither to my apartment upon your backs.' When I came into his presence the good cardinal bade me fear nothing, and immediately sent for an excellent surgeon, who set the bone, bandaged my leg, and bled me. The cardinal then caused me to be put into a private apartment, and went directly to the Vatican, in order to intercede in my behalf with the Pope.
"Meanwhile the report of my escape made a great noise all over Rome; for the long string of sheeting fastened to the top of the lofty tower of the castle had excited attention, and the inhabitants ran in crowds to behold the sight. By this time the frenzy of the constable had reached its highest pitch; he wanted, in spite of all his servants, to fly from the same tower himself, declaring there was but one way to retake me, and that was to fly after me. He caused himself to be carried into the presence of his Holiness, and began a terrible outcry, saying that I had promised him, upon my honor, that I would not fly away, and had flown away notwithstanding."
The Cardinal Cornaro, however, and others interceded for Benvenuto with the Pope, on account of his courage, and the extraordinary efforts of his ingenuity, which seemed to surpass human capacity. The Pope said he had intended to keep him near his person, and to prevent him from returning to France, adding, "I am concerned to hear of his sufferings, however. Bid him take care of his health; and when he is thoroughly recovered, it shall be my study to make him some amends for his past troubles." He was visited by young and old, persons of all ranks.
After this, Benvenuto went once more to France, where he was received with high consideration by Francis I., who gave him, for his home and workshop in Paris, a large old castle called the Nesle, of a triangular form, close to the walls of the city. Here, with workmen brought with him from Italy, he began many great works.
"Being thus become a favorite of the king, I was universally admired. As soon as I had received silver to make it of, I began to work on the statue of Jupiter, and took into my service several journeymen. We worked day and night with the utmost assiduity, insomuch that, having finished Jupiter, Vulcan, and Mars in earth, and Jupiter being pretty forward in silver, my shop began to make a grand show. Just about this time the king made his appearance at Paris, and I went to pay my respects to him. When his Majesty saw me, he called to me in high spirits, and asked me whether I had anything curious to show him at my shop, for he intended to call there. I told him of all I had done, and he expressed an earnest desire to see my performances; and after dinner that day, all the nobility belonging to the Court of France repaired to my shop.
"I had just come home, and was beginning to work, when the king made his appearance at my castle gate. Upon hearing the sound of so many hammers, he commanded his retinue to be silent. All my people were at work, so that the king came upon us quite unexpectedly. As he entered the saloon, the first object he perceived was myself with a large piece of plate in my hand, which was to make the body of Jupiter; another was employed on the head, another again on the legs, so that the shop resounded with the beating of hammers. His Majesty was highly pleased, and returned to his palace, after having conferred so many favors on me that it would be tedious to enumerate them.
"Having with the utmost diligence finished the beautiful statue of Jupiter, with its gilt pedestal, I placed it upon a wooden socle, which scarce made any appearance, and within that socle I fixed four little globes of wood, which were more than half hidden in their sockets, and so contrived that a little child could with the utmost ease move this statue of Jupiter backwards and forwards, and turn it about. I took it with me to Fontainebleau, where the King then resided. I was told to put it in the gallery,—a place which might be called a corridor, about two hundred paces long, adorned and enriched with pictures and pieces of sculpture, amongst them some of the finest imitations of the antique statues of Rome. Here also I introduced my Jupiter; and when I saw this great display of the wonders of art, I said to myself, 'This is like passing between the pikes of the enemy; Heaven protect me from all danger!'
"This figure of Jupiter had a thunderbolt in his right hand, and by his attitude seemed to be just going to throw it; in his left I had placed a globe, and amongst the flames I had with great dexterity put a piece of white torch. On the approach of night I lighted the torch in the hand of Jupiter; and as it was raised somewhat above his head, the light fell upon the statue, and caused it to appear to much greater advantage than it would otherwise have done. When I saw his Majesty enter with several great lords and noblemen, I ordered my boy to push the statue before him, and this motion, being made with admirable contrivance, caused it to appear alive; thus the other figures in the gallery were left somewhat behind, and the eyes of all the beholders were first struck with my performance.
"The king immediately cried out: 'This is one of the finest productions of art that ever was beheld. I, who take pleasure in such things and understand them, could never have conceived a piece of work the hundredth part so beautiful!'"