MUSICAL GLASSES.
While some of the children were reading these electrical passages, others were turning over the next volume; and to their great delight, they found a picture of the "Musical Glasses."
"I never had the slightest idea what musical glasses were," said Jack; and he spouted from Goldsmith the passage from "The Vicar of Wakefield," where the fashionable ladies from London talked about "Shakspeare and the musical glasses."
"Were they Dr. Franklin's musical glasses?"
"I never thought of that," said Uncle Fritz, well pleased; "but I think it is so. John, look and see what year 'The Vicar of Wakefield' was written in."
John turned to the Cyclopædia, and it proved that Goldsmith wrote that book in 1766.
"And you see," said Uncle Fritz, "that it was in 1762 that Franklin made his improvement, and that Mr. Puckeridge, the Irish gentleman, had arranged his glasses before. I think you would find that the instrument gradually worked its way into fashion,—slowly, as such things then did in England,—and that Goldsmith knew about Dr. Franklin's modification.
"I do not now remember any other place where Goldsmith's life and his touched. But they must have known a great many of the same people. Franklin was all mixed up with the Grub Street people."
Meanwhile John was following up the matter in the Cyclopædia. But he did not find "Armonica." Uncle Fritz bade him try in the "H" volume; and there, sure enough, was "Harmonica," with quite a little history of the invention. Mr. Puckeridge's fascinating name is there tamed down to Pochrich, probably by some German translator. Dr. Franklin's instrument is described, and the Cyclopædia man adds:—
"From the effect which it was supposed to have upon the nervous system, it has been suggested that the fingers should not be allowed to come in immediate contact with the glasses, but that the tones should be produced by means of keys, as with a harpsichord. Such an instrument has been made, and called the 'harpsichord harmonica.' But these experiments have not produced anything of much value. It is impossible that the delicacy, the swell, and the continuation of the tone should be carried to such perfection as in the simpler method. The harmonica, however much it excels all other instruments in the delicacy and duration of its tones, yet is confined to those of a soft and melancholy character and to slow, solemn movements, and can hardly be combined to advantage with other instruments. In accompanying the human voice it throws it into the shade; and in concerts the other instruments lose in effect, because so far inferior to it in tone. It is therefore best enjoyed by itself, and may produce a charming effect in certain romantic situations."