"As to processes of manufacture, of course we can learn little or nothing about them here. But you had better read carefully this article in Ure's 'Dictionary of Arts,' though it is a little old-fashioned, and then you will be prepared to make up parties to go out to the Hecla, or up to Lowell or Lawrence, where you can see with your own eyes.

"And now I will read you a little sketch of the life of Eli Whitney."

ELI WHITNEY.

Eli Whitney was born at Westborough, Worcester County, Massachusetts, Dec. 8, 1765. His parents belonged to the middle class in society, who, by the labors of husbandry, managed by uniform industry and strict frugality to provide well for a rising family.

The paternal ancestors of Mr. Whitney emigrated from England among the early settlers of Massachusetts, and their descendants were among the most respectable farmers of Worcester County. His maternal ancestors, of the name of Fay, were also English emigrants, and ranked among the substantial yeomanry of Massachusetts. A family tradition respecting the occasion of their coming to this country may serve to illustrate the history of the times. The story is, that about two hundred years ago, the father of the family, who resided in England, a man of large property and great respectability, called together his sons and addressed them thus: "America is to be a great country. I am too old to emigrate myself; but if any one of you will go, I will give him a double share of my property." The youngest son instantly declared his willingness to go, and his brothers gave their consent. He soon set off for the New World, and landed in Boston, in the neighborhood of which place he purchased a large tract of land, where he enjoyed the satisfaction of receiving two visits from his venerable father. His son John Fay, from whom the subject of this memoir is immediately descended, removed from Boston to Westborough, where he became the proprietor of a large tract of land, since known by the name of the Fay Farm.

From the sister of Mr. Whitney, we have derived some particulars respecting his childhood and youth, and we shall present the anecdotes to our readers in the artless style in which they are related by our correspondent, believing that they would be more acceptable in this simple dress than if, according to the modest suggestion of the writer, they should be invested with a more labored diction. The following incident, though trivial in itself, will serve to show at how early a period certain qualities of strong feeling tempered by prudence, for which Mr. Whitney afterward became distinguished, began to display themselves. When he was six or seven years old he had overheard the kitchen maid, in a fit of passion, calling his mother, who was in a delicate state of health, hard names, at which he expressed great displeasure to his sister. "She thought," said he, "that I was not big enough to hear her talk so about my mother. I think she ought to have a flogging; and if I knew how to bring it about, she should have one." His sister advised him to tell their father. "No," he replied, "it will hurt his feelings and mother's too; and besides, it is likely the girl will say she never said so, and that would make a quarrel. It is best to say nothing about it."

Indications of his mechanical genius were likewise developed at a very early age. Of his early passion for such employments, his sister gives the following account: "Our father had a workshop, and sometimes made wheels of different kinds, and chairs. He had a variety of tools, and a lathe for turning chair-posts. This gave my brother an opportunity of learning the use of tools when very young. He lost no time; but as soon as he could handle tools, he was always making something in the shop, and seemed not to like working on the farm. On a time, after the death of our mother, when our father had been absent from home two or three days, on his return he inquired of the housekeeper what the boys had been doing. She told him what B. and J. had been about. 'But what has Eli been doing?' said he. She replied he had been making a fiddle. 'Ah,' said he, despondingly, 'I fear Eli will have to take his portion in fiddles.' He was at this time about twelve years old. His sister adds that this fiddle was finished throughout, like a common violin, and made tolerably good music. It was examined by many persons, and all pronounced it to be a remarkable piece of work for such a boy to perform. From this time he was employed to repair violins, and had many nice jobs, which were always executed to the entire satisfaction, and often to the astonishment, of his customers. His father's watch being the greatest piece of mechanism that had yet presented itself to his observation, he was extremely desirous of examining its interior construction, but was not permitted to do so. One Sunday morning, observing that his father was going to meeting, and would leave at home the wonderful little machine, he immediately feigned illness as an apology for not going to church. As soon as the family were out of sight, he flew to the room where the watch hung, and taking it down he was so delighted with its motions that he took it all to pieces before he thought of the consequences of his rash deed; for his father was a stern parent, and punishment would have been the reward of his idle curiosity, had the mischief been detected. He, however, put all the work so neatly together that his father never discovered his audacity until he himself told him, many years afterwards.

"Whitney lost his mother at an early age, and when he was thirteen years old his father married a second time. His stepmother, among her articles of furniture, had a handsome set of table knives that she valued very highly. Whitney could not but see this, and said to her, 'I could make as good ones if I had tools, and I could make the necessary tools if I had a few common tools to make them with.' His stepmother thought he was deriding her, and was much displeased; but it so happened, not long afterwards, that one of the knives got broken, and he made one exactly like it in every respect except the stamp on the blade. This he would likewise have executed, had not the tools required been too expensive for his slender resources."

When Whitney was fifteen or sixteen years of age he suggested to his father an enterprise, which was an earnest of the similar undertakings in which he engaged on a far greater scale in later life. This being the time of the Revolutionary War, nails were in great demand and bore a high price. At that period nails were made chiefly by hand, with little aid from machinery. Young Whitney proposed to his father to procure him a few tools, and to permit him to set up the manufacture. His father consented; and he went steadily to work, and suffered nothing to divert him from his task until his day's work was completed. By extraordinary diligence he gained time to make tools for his own use, and to put in knife-blades, and to perform many other curious little jobs which exceeded the skill of the country artisans. At this laborious occupation the enterprising boy wrought alone, with great success, and with much profit to his father, for two winters, pursuing the ordinary labors of the farm during the summers. At this time he devised a plan for enlarging his business and increasing his profits. He whispered his scheme to his sister, with strong injunctions of secrecy; and requesting leave of his father to go to a neighboring town, without specifying his object, he set out on horseback in quest of a fellow-laborer. Not finding one as easily as he had anticipated, he proceeded from town to town with a perseverance which was always a strong trait of his character, until, at a distance of forty miles from home, he found such a workman as he desired. He also made his journey subservient to his mechanical skill, for he called at every workshop on his way and gleaned all the information he could respecting the mechanical arts.