I intend to leave this place the end of this week; and go, I suppose, to Boulge; though I have yet a hankering to get a week by the sea, either at Yarmouth or Southwold. . . . Don’t you think £3 very cheap for a fine copy of Rushworth’s Collections, eight volumes folio? I was tempted to buy it if only for the bargain; for I only want to look through it once.
To F. Tennyson.
Boulge, Woodbridge.
[After Sept. 1845.]
My dear Frederic,
I do beg and desire that when you next begin a letter to me you will not tear it up (as you say you have done some) because of its exhibiting a joviality insulting to any dumps of mine. What was I complaining of so? I forget all about it. It seems to me to be two years since I heard from you. If you had said that my answers to your letters were so barren as to dishearten you from deserving any more I should understand that very well. But if you really did accomplish any letters and not send them, I say, a fico for thy friendship! Do so no more. . . .
The finale of C minor is very noble. I heard it twice at Jullien’s. On the whole I like to hear Mozart better; Beethoven is gloomy. Besides incontestably Mozart is the purest musician; Beethoven would have been Poet or Painter as well, for he had a great deep Soul and Imagination. I do not think it is reported that he showed any very early predilection for Music; Mozart, we know, did. They say Holmes has published a very good life of M. Only think of the poor fellow not being able to sell his music latterly, getting out of fashion, so taking to drink . . . and enact Harlequin at Masquerades! When I heard Handel’s Alexander’s Feast at Norwich this Autumn I wondered; but when directly afterward they played Mozart’s G minor Symphony, it seemed as if I had passed out of a land of savages into sweet civilized Life.
Boulge, Woodbridge.
[? March 1846.]
Dear Frederic,
I have been wondering some time if you were gone abroad again or not. I go to London toward the end of April: can’t you manage to wait in England? I suppose you will only be a day or two in London before you put foot in rail, coach, or on steamer for the Continent; and I excuse my own dastardly inactivity in not going up to meet you and shake hands with you before you start, by my old excuse; that had you but let me know of your coming to
England, I should have seen you. This is no excuse; but don’t put me out of your books as a frog-hearted wretch. I believe that I, as men usually do, grow more callous and indifferent daily: but I am sure I would as soon travel to see your face, and my dear old Alfred’s, as any one’s. But beside my inactivity, I have a sort of horror of plunging into London; which, except for a shilling concert, and a peep at the pictures, is desperate to me. This is my fault, not London’s: I know it is a lassitude and weakness of soul that no more loves the ceaseless collision of Beaux Esprits, than my obese ill-jointed carcase loves bundling about in coaches and steamers. And, as you say, the dirt, both of earth and atmosphere, in London, is a real bore. But enough of that. It is sufficient that it is more pleasant to me to sit in a clean room, with a clear air outside, and hedges just coming into leaf, rather than in the Tavistock or an upper floor of Charlotte Street. And how much better one’s books read in country stillness, than amid the noise of wheels, crowds, etc., or after hearing them eternally discussed by no less active tongues! In the mean time, we of Woodbridge are not without our luxuries; I enclose you a play-bill just received; I being one of the distinguished Members who have bespoken the play. We sha’n’t all sit together in a Box, but go dispersed about the house with our wives and daughters.