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[ His affection for that city is proved by the epithet of “Verona tua,” and the legend of the hero; under the barbarous name of Dietrich of Bern, (Peringsciold and Cochloeum, p. 240,) Maffei traces him with knowledge and pleasure in his native country, (l. ix. p. 230—236.)]
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[ See Maffei, (Verona Illustrata, Part i. p. 231, 232, 308, &c.) His amputes Gothic architecture, like the corruption of language, writing &c., not to the Barbarians, but to the Italians themselves. Compare his sentiments with those of Tiraboschi, (tom. iii. p. 61.) * Note: Mr. Hallam (vol. iii. p. 432) observes that “the image of Theodoric’s palace” is represented in Maffei, not from a coin, but from a seal. Compare D’Agincourt (Storia dell’arte, Italian Transl., Arcitecttura, Plate xvii. No. 2, and Pittura, Plate xvi. No. 15,) where there is likewise an engraving from a mosaic in the church of St. Apollinaris in Ravenna, representing a building ascribed to Theodoric in that city. Neither of these, as Mr. Hallam justly observes, in the least approximates to what is called the Gothic style. They are evidently the degenerate Roman architecture, and more resemble the early attempts of our architects to get back from our national Gothic into a classical Greek style. One of them calls to mind Inigo Jones inner quadrangle in St. John’s College Oxford. Compare Hallam and D’Agincon vol. i. p. 140—145.—M]
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[ The villas, climate, and landscape of Baiae, (Var. ix. 6; see Cluver Italia Antiq. l. iv. c. 2, p. 1119, &c.,) Istria, (Var. xii. 22, 26,) and Comum, (Var. xi. 14; compare with Pliny’s two villas, ix. 7,) are agreeably painted in the Epistles of Cassiodorus.]
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[ In Liguria numerosa agricolarum progenies, (Ennodius, p. 1678, 1679, 1680.) St. Epiphanius of Pavia redeemed by prayer or ransom 6000 captives from the Burgundians of Lyons and Savoy. Such deeds are the best of miracles.]
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[ The political economy of Theodoric (see Anonym. Vales. p. 721, and Cassiodorus, in Chron.) may be distinctly traced under the following heads: iron mine, (Var. iii. 23;) gold mine, (ix. 3;) Pomptine marshes, (ii. 32, 33;) Spoleto, (ii. 21;) corn, (i. 34, x. 27, 28, xi. 11, 12;) trade, (vi. 7, vii. 9, 23;) fair of Leucothoe or St. Cyprian in Lucania, (viii. 33;) plenty, (xii. 4;) the cursus, or public post, (i. 29, ii. 31, iv. 47, v. 5, vi 6, vii. 33;) the Flaminian way, (xii. 18.) * Note: The inscription commemorative of the draining of the Pomptine marshes may be found in many works; in Gruter, Inscript. Ant. Heidelberg, p. 152, No. 8. With variations, in Nicolai De’ bonificamenti delle terre Pontine, p. 103. In Sartorius, in his prize essay on the reign of Theodoric, and Manse Beylage, xi.—M.]