17 ([return])
[ Constantin. de Administrando Imperio, l. ii. c. 50, 51, 52.]
18 ([return])
[ The rock of Leucate was the southern promontory of his island and diocese. Had he been the exclusive guardian of the Lover’s Leap so well known to the readers of Ovid (Epist. Sappho) and the Spectator, he might have been the richest prelate of the Greek church.]
19 ([return])
[ Leucatensis mihi juravit episcopus, quotannis ecclesiam suam debere Nicephoro aureos centum persolvere, similiter et ceteras plus minusve secundum vires suos, (Liutprand in Legat. p. 489.)]
But the wealth of the province, and the trust of the revenue, were founded on the fair and plentiful produce of trade and manufacturers; and some symptoms of liberal policy may be traced in a law which exempts from all personal taxes the mariners of Peloponnesus, and the workmen in parchment and purple. This denomination may be fairly applied or extended to the manufacturers of linen, woollen, and more especially of silk: the two former of which had flourished in Greece since the days of Homer; and the last was introduced perhaps as early as the reign of Justinian. These arts, which were exercised at Corinth, Thebes, and Argos, afforded food and occupation to a numerous people: the men, women, and children were distributed according to their age and strength; and, if many of these were domestic slaves, their masters, who directed the work and enjoyed the profit, were of a free and honorable condition. The gifts which a rich and generous matron of Peloponnesus presented to the emperor Basil, her adopted son, were doubtless fabricated in the Grecian looms. Danielis bestowed a carpet of fine wool, of a pattern which imitated the spots of a peacock’s tail, of a magnitude to overspread the floor of a new church, erected in the triple name of Christ, of Michael the archangel, and of the prophet Elijah. She gave six hundred pieces of silk and linen, of various use and denomination: the silk was painted with the Tyrian dye, and adorned by the labors of the needle; and the linen was so exquisitely fine, that an entire piece might be rolled in the hollow of a cane. [20] In his description of the Greek manufactures, an historian of Sicily discriminates their price, according to the weight and quality of the silk, the closeness of the texture, the beauty of the colors, and the taste and materials of the embroidery. A single, or even a double or treble thread was thought sufficient for ordinary sale; but the union of six threads composed a piece of stronger and more costly workmanship. Among the colors, he celebrates, with affectation of eloquence, the fiery blaze of the scarlet, and the softer lustre of the green. The embroidery was raised either in silk or gold: the more simple ornament of stripes or circles was surpassed by the nicer imitation of flowers: the vestments that were fabricated for the palace or the altar often glittered with precious stones; and the figures were delineated in strings of Oriental pearls. [21] Till the twelfth century, Greece alone, of all the countries of Christendom, was possessed of the insect who is taught by nature, and of the workmen who are instructed by art, to prepare this elegant luxury. But the secret had been stolen by the dexterity and diligence of the Arabs: the caliphs of the East and West scorned to borrow from the unbelievers their furniture and apparel; and two cities of Spain, Almeria and Lisbon, were famous for the manufacture, the use, and, perhaps, the exportation, of silk. It was first introduced into Sicily by the Normans; and this emigration of trade distinguishes the victory of Roger from the uniform and fruitless hostilities of every age. After the sack of Corinth, Athens, and Thebes, his lieutenant embarked with a captive train of weavers and artificers of both sexes, a trophy glorious to their master, and disgraceful to the Greek emperor. [22] The king of Sicily was not insensible of the value of the present; and, in the restitution of the prisoners, he excepted only the male and female manufacturers of Thebes and Corinth, who labor, says the Byzantine historian, under a barbarous lord, like the old Eretrians in the service of Darius. [23] A stately edifice, in the palace of Palermo, was erected for the use of this industrious colony; [24] and the art was propagated by their children and disciples to satisfy the increasing demand of the western world. The decay of the looms of Sicily may be ascribed to the troubles of the island, and the competition of the Italian cities. In the year thirteen hundred and fourteen, Lucca alone, among her sister republics, enjoyed the lucrative monopoly. [25] A domestic revolution dispersed the manufacturers to Florence, Bologna, Venice, Milan, and even the countries beyond the Alps; and thirteen years after this event the statutes of Modena enjoin the planting of mulberry-trees, and regulate the duties on raw silk. [26] The northern climates are less propitious to the education of the silkworm; but the industry of France and England [27] is supplied and enriched by the productions of Italy and China.
20 ([return])
[ See Constantine, (in Vit. Basil. c. 74, 75, 76, p. 195, 197, in Script. post Theophanem,) who allows himself to use many technical or barbarous words: barbarous, says he. Ducange labors on some: but he was not a weaver.]
21 ([return])
[ The manufactures of Palermo, as they are described by Hugo Falcandus, (Hist. Sicula in proem. in Muratori Script. Rerum Italicarum, tom. v. p. 256,) is a copy of those of Greece. Without transcribing his declamatory sentences, which I have softened in the text, I shall observe, that in this passage the strange word exarentasmata is very properly changed for exanthemata by Carisius, the first editor Falcandus lived about the year 1190.]