91 ([return])
[ William of Apulia (l. v. p. 276) describes the victory of the Normans, and forgets the two previous defeats, which are diligently recorded by Anna Comnena, (l. vi. p. 159, 160, 161.) In her turn, she invents or magnifies a fourth action, to give the Venetians revenge and rewards. Their own feelings were far different, since they deposed their doge, propter excidium stoli, (Dandulus in Chron in Muratori, Script. Rerum Italicarum, tom. xii. p. 249.)]
92 ([return])
[ The most authentic writers, William of Apulia. (l. v. 277,) Jeffrey Malaterra, (l. iii. c. 41, p. 589,) and Romuald of Salerno, (Chron. in Muratori, Script. Rerum Ital. tom. vii.,) are ignorant of this crime, so apparent to our countrymen William of Malmsbury (l. iii. p. 107) and Roger de Hoveden, (p. 710, in Script. post Bedam) and the latter can tell, how the just Alexius married, crowned, and burnt alive, his female accomplice. The English historian is indeed so blind, that he ranks Robert Guiscard, or Wiscard, among the knights of Henry I, who ascended the throne fifteen years after the duke of Apulia’s death.]
93 ([return])
[ The joyful Anna Comnena scatters some flowers over the grave of an enemy, (Alexiad, l. v. p. 162-166;) and his best praise is the esteem and envy of William the Conqueror, the sovereign of his family Graecia (says Malaterra) hostibus recedentibus libera laeta quievit: Apulia tota sive Calabria turbatur.]
94 ([return])
[ Urbs Venusina nitet tantis decorata sepulchris, is one of the last lines of the Apulian’s poems, (l. v. p. 278.) William of Malmsbury (l. iii. p. 107) inserts an epitaph on Guiscard, which is not worth transcribing.]
95 ([return])
[ Yet Horace had few obligations to Venusia; he was carried to Rome in his childhood, (Serm. i. 6;) and his repeated allusions to the doubtful limit of Apulia and Lucania (Carm. iii. 4, Serm. ii. I) are unworthy of his age and genius.]