"But," pleaded Beharilal, "is there no escape?—if a man goes away by the railway or by water?"
Nagoo pondered for a moment and said, "If a man crossed the sea, the serpent would be baulked. If he goes by railway it will not leave him. Let him go to Madras, it will find him."
With a faltering hand the Bunia put some rupees, uncounted, into the charmer's skinny palm, saying, "Go, make incantations. Do something. There is great knowledge of mysteries with you"; and he hurried back into the house.
His arrangements were very soon made. His account books, with a bundle of bonds and hoondies and cash and his son, were put into a small cart drawn by a pair of fast trotting bullocks, into which he himself climbed, after looking under the cushion to see that there was no evil beast lurking there, and got away in haste while the sun was yet hot. The rest of the family followed with the household property, and in a few days the house was empty and only the Malee remained in charge. Many years have passed and the house is empty still, and the Malee, grown grey and frail, is still in charge. He gets no wages, but he sells the jasmine flowers and the mangoes and guavas, and he grows chillies and brinjals, and so fills the stomachs of himself and his little grandson and is contented. If you ask him where the Seth has gone, he replies, "Who knows?" His debt has gone with his creditor, "gone glimmering through the dream of things that were," and he has no desire to recall them.
A civil or military officer from the station, taking a solitary walk, sometimes finds himself at the Cobra Bungalow, and turns in to wander among its old trees and unswept paths, obstructed by overgrown and untended shrubs, and wonders how it got its name. Then he pauses at the whitewashed shrine and notes that the god-stone has been freshly painted red and that chaplets of faded flowers lie before it. But the old Malee approaches with a meek salaam and a posy of jasmine and marigolds and warns him that there is a cobra in the shrine.
XIII
THE PANTHER I DID NOT SHOOT
It was January 13 of a good many years ago, in those happy days that have "gone glimmering through the dream of things that were." The sun had scarcely risen, and I was sitting in the cosy cabin of my yacht enjoying my "chota hazree," which, being interpreted, means "lesser presence," and in Anglo-Indian speech signifies an "eye-opener" of tea and toast—the greater presence appears some hours later and we call it breakfast. I will not say that the view from my cabin windows was enchanting. The placid waters of the broad creek would have been pleasant to look upon if the level rays of the sun in his strength had not skimmed them with such a blinding glare, but the low, flat-topped hills that bounded them were forbidding.
The people said truly that God had made this a country of stones, but they forgot that He had clothed the stones with trees of evergreen foliage and a dense undergrowth of shrubs and grass, to protect and hold together the thick bed of loam which the fallen leaves enriched from year to year. It was the axes of their fathers that felled the trees, to sell for fuel, and the billhooks of their mothers that hacked away the bushes and grubbed up their very roots to burn on the household cooking hole. Then the torrential rains of the south-west monsoon came down on the naked, defenceless, parched and cracked soil and swept it in muddy cascades down to the sea, leaving flats of bare rock, strewn thick with round stones, sore to the best-shod foot of man and cruel to the hoofs of a horse. About and among the huts of the unswept and malodorous hamlet just above the shore there were fine trees, mango, tamarind, babool and bor, showing what might have been elsewhere.