The next morning I was in the cloisters belonging to the Benedictine priory of Carennac, of which Fénélon was the titular prior. Hither he came for quietude, and here he wrote his 'Télémaque,' a historical trace of which is found in a little island of the Dordogne, which is called 'L'Ile de Calypso.' It is recorded that the mother of the great Churchman and writer, when she feared that she would be childless, went on a pilgrimage to Roc-Amadour, and that Fénélon was the consequence of that act of devotion.

The cloisters of Carennac, built from plans furnished by that fountain of ecclesiastical art in the Middle Ages, the monastery of Cluny, must, judging from the remnants of tracery in the arcades, and the delicately carved bosses of the vaults, have been once a spot where the spirit of Gothic architecture found delight. Now the spirit of ruin dwells there, leading the bramble and the celandine to conquer, year after year, some fresh territory upon the ancient quadrangle's crumbling wall. Above, where the sunbeam strikes upon the wrinkled stone, the lizard basks and the bee fresh from its hive hums as blithely among the yellow flowers of the celandine as if the blocks raised by men in their reaching towards Heaven were nothing more than the rocks that cast their shadows upon the Dordogne. Upon the ground, man, by using no rein of respect to curb the lower needs of life, has desecrated the spot with pigsties! Some inhabitant of Carennac, into whose hands the cloisters passed in recent times, thought that a place which was good enough for Benedictine monks to walk in might, with a little fresh masonry, be made fit for pigs to feed and sleep in. But an end had come to this idyllic state of things. The cloisters of Carennac had just been placed on the list of historic monuments. The adjoining church had been 'classed' long before.

This church, a small Gothic edifice of the twelfth century, has a far-projecting porch enriched with a specimen of mediaeval carving which is a long delight to the few archaeologists who find their way to the almost forgotten village of Carennac. The composition, which fills the tympan of the scarcely-pointed arch, represents Christ surrounded by the twelve Apostles. The influence of Byzantine art is perceptible in the treatment. Very few such masterpieces of twelfth-century carving have been so well preserved as this. The seated figure of Christ in the act of blessing His Apostles, the right hand upraised, the left resting upon a clasped book, impresses the beholder by its majesty and serenity. Very different are the figures of the Apostles: these are men, and of a very common type too, such as the Benedictines were accustomed to see in their own cloisters, or among their dependents at Carennac. But how animated are the forms, and how expressive the faces! The mouldings which serve as a border to the composition are much more Romanesque or Byzantine than Gothic, and the columns that support it have capitals which are purely Romanesque. In the interior of the church is a fifteenth-century group of seven figures, representing the scene of the Holy Sepulchre; an admirable composition, showing to what a high degree of excellence French sculpture had attained even at the dawn of the Renaissance.

WAYFARING UNDERGROUND.

Upon the stony plateau above Roc-Amadour is a cavern well known in the district as the Gouffre de Révaillon. It had for me a peculiar attraction on account of the gloomy grandeur of the scene at the entrance. When I saw it for the first time I understood at once the supernatural horror in which the peasant has learnt to hold such places. It responds to impressions left on the mind of the 'Stygian cave forlorn,' the entrance to Dante's 'City of Sorrow,' and that other cave where Aeneas witnessed in cold terror the prophetic fury of the Sibyl.

This effect of gloom, horror and sublimity is the result of geological conditions and the action of water, which together have produced many similar phenomena in the region of the causses, but in no other case, I believe, with such power in composing the picturesque. Imagine an open plain which in the truly Dark Ages whereof man has had no experience, but of whose convulsions he has learnt to read a little from the book whose leaves are the rocks, cracked along a part of its surface as a drying ball of clay might do, the fissure finishing abruptly and where it is deepest in front of a mass of rock that refused to split. This was apparently the beginning of the Gouffre de Révaillon. Then came another submersion which greatly modified the appearance of things. There was evidently a deluge here after the land had dried and cracked, and it must have lasted a very long time for the waves to have hollowed, smoothed and polished the rocks inside the caverns and elsewhere as we now see them. Those who have observed with a little attention a rugged coast will, without being geologists, recognise the distinctly marine character of the greater number of these orifices in the calcareous district of the causses. The washing and smoothing action of the sea along the sides of the gorges which cut up the surface of the country in such an astonishing manner is not so easy to distinguish. But the reason is obvious. This limestone rock is by its nature disintegrating wherever it is exposed to the air and frost, and the foundations of the bastions which support the causses are being continually sapped by water which carries away the lime in solution and deposits a part of it elsewhere in the form of stalactite and stalagmite in the deep galleries where subterranean rivers often run, and which probably descend to the lowest part of the formation. Thus by the dislodgment of huge masses of rock which have rolled down from their original positions, and the breaking away of the surfaces of others, the most convincing traces of the sea's action here have nearly disappeared. In the gorge of the Alzou, however, near Roc-Amadour, about 100 feet above the channel of the stream, there is a considerable reach of hard rock approaching marble, the polished and undulating surface of which tells the story of the ocean, just as the sides of the caverns in much more elevated positions tell it.

In the rock where the fissure ends at Révaillon is an opening like a vast yawning mouth, the roof of which forms an almost perfect dome. Adown this a stream trickles towards the end of summer, but plunges madly and with a frightful roar in winter and spring. The steep sides of the narrow ravine are densely wooded, and the light is very dim at the bottom when the sun is not overhead. I made my first attempt to descend the dark passage in the early summer, but there was too much water, and I was soon obliged to retreat. One afternoon in October I returned with a companion, and we took with us a rope and plenty of candles. We carried the rope in view of possible difficulties in the shape of rocks inside the cavern, for it should be borne in mind that in gouffres of this character the stream frequently descends by a series of cascades. The weather was very sultry, and the sky towards the west was of a slaty blue. A fierce storm was threatening, but we paid no attention to it—a mistake which others bent on exploring caverns where streams still flow should be warned against. There is probably no force in nature more terrible, or which makes a man's helplessness more miserably felt, than water suddenly rushing towards him when he is underground.

The sun was still shining, however, when we reached the Gouffre de Révaillon and descended into the ravine over roots of trees coiling upon the moss like snakes, some arching upward as if about to spring at the throat of those who disturbed the elfish solitude. At our coming there rose from the great rock such a multitude of jackdaws that for some seconds they darkened the air. With harsh screams the birds soared higher and higher above their fortress, which they had possessed for ages in perfect security. We reached the bed of the stream, where scattered threads of water tinkled as they fell over huge blocks into little pools below, and then went whispering on their way towards the darkness. At the botton of a long slant of greenish slimy stone, patched here and there with moss, I stopped a few minutes, feeling that I could not grasp without an effort the deep gloom and grandeur of my surroundings. The jackdaws had all flown away, and there was no sound now but the tinkle and gurgle of the water. Great snails crawled upon the tufts of rank grass wet with the autumnal dews that the sun had failed to dry, and upon the glistening hart's-tongue ferns, and they looked just the kind of snails that witches would collect to make a hell-broth. Dark ivy hung down from the rocks, and under the vaulted entrance of the cavern was a clump of elders, very sinister-looking, and giving forth when touched an evil narcotic odour. Near these forlorn shrubs was a solitary plant of angelica, now woebegone, its fringed leaves drooping, waiting for the rising water to wash it into the darkness. There were willow-herbs still in bloom, but the crane's-bill struggled with the gloom farther than any other flowering plant, and its bright little purple lamps shone in the very mouth of Night. Gnats there were too, spinning in the semi-darkness, now sinking, now rising, keeping together, a merry band of musicians, each with a small flute, piping perhaps to the little goblins that swung on spiders' webs, and slept upon the fronds of the ferns.

Candles were now lighted, and we left the glimmer of day behind us. A little beyond the great dome the roof became so low that we had to creep along almost on hands and knees, but it presently rose again, and to a great height. The first obstacle—the one that sent me back a few months before—was a steep rock down which the water then fell in such a cascade that there was no getting a foothold upon it. Now the water scarcely covered it, and there was no difficulty in reaching the bottom. Here, however, was a pool through which we had to wade knee-deep. The cavern continued, and the stalagmite became interesting by its fantastic shapes. Here was a mass like an immense sponge, even to the colour, and there, descending from the roof down the side of the rock, was the waved hair of an undine that had been changed into white and glistening stone. The stalactites were less remarkable. The sound of dropping water told us that another cascade was near. This we left behind by climbing along the side of the gallery, clinging to the rock, and in the same way four more obstacles of precisely the same character were overcome. All the distance the slope was rapid, but at intervals there was a sudden fall of from ten to fifteen feet, with a black-looking pool at the foot of the rock, hollowed out by the action of the tumbling torrent. The last of these falls was the worst to cross. To this point the cavern had been already explored, but no farther apparently, the local impression being that it ended just beyond. It was an ugly place. The rock over which the water fell was almost perpendicular, and the pool at the bottom was larger and deeper than the others. Seen by the light of day, any schoolboy might have scoffed at the difficulty of getting beyond it, but when you are descending into the bowels of the earth, where the light of two candles can only dissolve the darkness a few yards around you, every form becomes fantastic and awful, and the effect of water of unknown depth upon the imagination is peculiarly disturbing. But we made up our minds to go on if it were possible. The passage was very narrow, and the sides offered few salient points to which one could cling. We moved along a very narrow ledge in a sitting posture, and then, when we had gone as far as we could in this way, and there was nothing beyond to sit upon, we made a spring. My companion, being the more agile, nearly cleared the pool, but I went in with a great splash, as I expected, and thought myself lucky in being only wetted to the waist. The water was not very cold, the temperature of the cavern being much higher than that of the outer air.

We reckoned that we had by this time travelled underground about half a mile, and as we had been descending rapidly all the way, the distance beneath the surface must have been considerable. My theory with regard to this stream was that it was a tributary of the subterranean Ouysse; but the fact that the cavern ran north-west made me change my opinion, and conclude that this water-course took an independent line towards the Dordogne.